|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 47 |
Nov 18 |
Comment |
Thank you Jack and John for the feedback....I do tend to get busy at times. :) I will see what I can work out with your suggestions. |
Nov 13th |
| 47 |
Nov 18 |
Comment |
Great haunted portrait Jen. On the finer side I see some spots that could be cleaned up around here and there. There is one on the upper right on the second slat that could be fixed with some cloning to match up with the plank. I hope that is understandable. Thanks for the seasonal share. |
Nov 13th |
| 47 |
Nov 18 |
Comment |
WowI wish I could see this in person. As Jack says it looks like a fairy tale image. I imagine the tree roots to be a large hand or Octopus tentacles ready to pull the building off its foundation. The person provides great scale. I do like the lightened version John provided. |
Nov 13th |
| 47 |
Nov 18 |
Comment |
Really enjoy this character you caught! I like the border idea as well and otherwise enjoy it as is. Well captured image. |
Nov 13th |
| 47 |
Nov 18 |
Comment |
Thank you Ed for posting the before and after shot. I really like the toning that you chose for this photo. I would like to see a bit more of the sky and a little less foreground. So many opinions and views! :) In the end its what you enjoy of course. I appreciate your gravitating to story telling as it is so important for drawing in the viewer. |
Nov 13th |
| 47 |
Nov 18 |
Comment |
John,
Thank you for explaining where you captured this shot and the equipment you had along. I feel the subject of interest is in the central and upper part of this photo and would crop out the foreground and some of the right and left hand side. |
Nov 13th |
| 47 |
Nov 18 |
Comment |
Hi Jack,
I do not mind the soft foreground of this image as it helps bring my eye to the main subject. It is well composed. The plant extending outside the frame is a bit disturbing but it is also intriguing.
Thank you for sharing your vision. |
Nov 13th |
7 comments - 0 replies for Group 47
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7 comments - 0 replies Total
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