Activity for User 957 - Trey Foerster - three4ster@gmail.com

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1146 Comments / 313 Replies Posted

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Group Round C/R Comment Date Image
56 Feb 26 Reply Thank you! Here's an alternative image, and I've incorporated some changes in cropping, shading, lightening the midtones, and brightening the main faces in the image. Your thoughts on comparing it to the original? Feb 18th
56 Feb 26 Reply Thanks! Feb 18th
56 Feb 26 Reply Thank you for your insights! Feb 18th
56 Feb 26 Reply Thanks, Tom. I'd appreciate your feedback on an alternate image I've included here. I had a photography judge evaluate it, and the main differences are to crop differently, reduce the shadow darkness, increase the highlights on the church behind, brighten the main subject's face, and lighten the midtones. Feb 18th
56 Feb 26 Reply As a news photographer, I don't set out searching for profound meanings in the images I capture, but occasionally, I'll witness a moment that strikes me unexpectedly - much like what happened here. When covering demonstrations or protests, the political atmosphere is naturally embedded within the image itself. After five decades behind the lens, my vision and instincts are tuned to notice these layers. As I write about what I see, I aim to bear witness, not to advocate for any particular viewpoint, but to share what the scene communicates to me. I understand that viewers will interpret these moments in their own ways, and as someone documenting history, that's exactly what I hope for. Feb 15th
56 Feb 26 Comment Martin,
Wow, what an incredible shot! Street portraits are always such a treat, and you really nailed this one. Centering the man works perfectly here - his eyes and expression are so vivid and engaging. I love how the image leads your eye in a gentle circle: from his eye, to his hair, along the shoulder strap, to his hand, and then that pointed finger guiding us back up to his lapel, hair, and face. The background blur at f/4 was a smart call; it gives the photo a beautiful bokeh. You went with a longer crop, which looks great, but you might want to try a square crop so the viewer's eye doesn't drift down the suit and out of the frame. Truly, this is an outstanding street portrait!
Feb 15th
56 Feb 26 Comment Tom,
At first, I wasn't sure if this was a reflection in a window, but after zooming in, it's clear you captured a real "man-on-the-street" moment. That 3.2-second shutter speed worked wonders, turning the nearby pedestrians into cool ghostly figures, while your f/13 kept the rest sharp and crisp.
Your framing on both sides is spot on. I love how the stop sign sits alongside the blurry folks - it really adds an interesting contrast. The geometry between the sidewalk and the building on the right makes for some neat visual tension, too. If I'm being picky, I'd suggest cropping the left edge right at the light pole, just like you did with the building on the right, for a balanced look. The in-focus kid under the stop sign staring at you is such a great touch! All in all, this image is both well shot and beautifully processed - nicely done!
Feb 15th
56 Feb 26 Comment Marevi,
Let's take a look at this image together. You've got a red bike, red roses, and those splashes of red behind the man - so much energy and cohesion in your use of color! The Rule of Thirds definitely works here, but what really catches my eye is how beautifully the Golden Ratio comes into play. Even if you crop in from the left, the composition keeps its balance, with the man staying nicely centered within the frame.
This tight crop also enhances that lovely circular motion through the photo: my eye follows from the man, down his arm to the bike seat, to the roses, along to the back tire fender, sweeping up the frame to the handles, and right back to the man. It's like a visual loop that keeps viewers engaged. I notice the man is centered on the bench, which just reinforces the strength you get by centering him in the image as a whole. And I'm pretty sure he's rocking a pair of Skechers - always a classic choice, especially for those of us longer in the tooth who appreciate a bit of comfort!
Now, you might intentionally want that open space on the left for some compositional tension, since it matches the direction of his gaze, and the dominant reds of the roses and bike fender naturally guide the viewer's eye away from the right edge. Personally, I'd consider deepening the shadows just a touch more for extra contrast, but that's just my taste. All in all, another fantastic image - great job!		 Feb 15th
56 Feb 26 Comment Gerhard,
This photo really captures a spontaneous moment - it's a great "snap and grab." The Rule of Thirds is nicely applied here, and the man fits right into the Golden Spiral, making the composition feel balanced. I love how the curb and gutter guide your eye across the image, and the sand and rock pile's colors echo those of the dogs, tying everything together. The slope of the sand pile naturally leads you back to the multitasking dad with the stroller. For a quick shot, you've managed to create some impressive separation, especially around the child's feet and head. There's also a pleasing contrast between the colors throughout the photo.
If you're open to tweaking the image, I have a couple of optional suggestions. Try darkening the light spots in the top-right and top-left corners - burning can help with that. And if you're not aiming for a documentary style, consider cloning out the vehicle at the bottom right. These changes could give your photo an even cleaner look!


Feb 15th
56 Feb 26 Comment Cisco,
In this photograph, the woman seated in the chair is positioned near the bottom right, creating a sense of tension as she sits close to the frame's edge. The prominent bush in the lower left acts as a visual anchor, drawing the viewer's eye upward. The first element that grabs my attention is the neon "Bar" sign. Because we naturally scan images from left to right, my gaze then shifts to the makeshift column before descending to the woman herself. Her dress feels slightly out of place, yet it falls within the Golden Spiral, which adds intrigue. The proximity of her placement to the edge of the photo encourages the eye to exit the frame, intensifying the composition's dynamic.
While I lean toward the black-and-white version for its classic appeal, the color version has its own merits. There's a consistent blue theme - visible in the neon sign, the window trim, and the woman's headscarf - that guides the eye in a deliberate path: upward from the bush, across the window, and down to the woman. This visual flow isn't present in the monochrome version. Both interpretations are strong, but I would ultimately recommend choosing one to convey the intended mood and narrative best.
Feb 15th
5 comments - 5 replies for Group 56
5 comments - 5 replies Total

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