|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 56 |
Dec 25 |
Reply |
Martin, it's the small entry alcove for a stairway to apartments above the businesses. These often contain mailboxes for the residents. |
Dec 28th |
| 56 |
Dec 25 |
Reply |
Thanks for your input about grain! |
Dec 20th |
| 56 |
Dec 25 |
Comment |
Armen,
The crop you chose creates a sense of visual compression that almost feels like it was taken with a longer lens, which is impressive considering you shot it at 24mm. The image has a dynamic circular flow that draws the viewer's eye around the frame, and the range of tones adds a lot of depth and atmosphere. If I could make one suggestion, it would be to leave a bit more space at the bottom so the woman's sneakers aren't so close to the edge, and some room on the right to give the cellphone a little breathing space. Overall, the processing is excellent and really enhances the photograph!
|
Dec 18th |
| 56 |
Dec 25 |
Comment |
Martin,
This is an excellent street photograph! The timing is spot-on - with the woman's beaming smile in the window poster perfectly echoing the genuine grin of the man walking alongside. Their synchronized strides and the way both hold their beverage cups create a natural visual harmony that's a joy to spot. There is a minor highlight on the poster's hair that catches my eye, which could be toned down in post-processing for a cleaner result.
I do wonder how this scene might look in black and white. While the smiles immediately stand out, the vivid purple socks also grab attention - perhaps a bit too much. Converting to black and white could help minimize that distraction, allowing the eye to appreciate the sock pattern as it plays off the three logo designs on the window. Plus, the woman's right arm would more clearly lead the viewer's gaze to his bag and then back up to the smiles, creating a stronger visual loop. All in all, Martin, you've created another outstanding street image - well done!
|
Dec 18th |
| 56 |
Dec 25 |
Comment |
Tom,
Food trucks make for fantastic photographic subjects, and you've definitely captured an engaging scene in downtown Cincinnati, Ohio. The subject and the background work well together, creating an inviting narrative. For an even stronger composition, I suggest cropping the photo into a square format. This adjustment would allow you to position the man on the street near the right third of the frame, aligning him with the end point of a golden spiral. Similarly, placing the wheel at the bottom left third intersection would also align it with another golden spiral endpoint, enhancing the visual flow and storytelling of the image. The colors are vibrant and really bring the scene to life, so keeping the image in full color is a great choice. Overall, your processing is excellent and highlights the character of the scene beautifully.
|
Dec 18th |
| 56 |
Dec 25 |
Comment |
Gerhard,
As a photographer, I'm always fascinated by the creativity that goes into Halloween displays, especially knowing that Americans now spend around $8 billion annually on the holiday - a celebration that interestingly has its roots in Irish traditions of carving turnips! Regarding your image, I have a couple of suggestions that might enhance its visual impact. Try a tighter 6x4 crop, positioning the vulture at the intersection of the top and left thirds for a more dynamic composition. Additionally, cropping in from the right side to eliminate the house's roofline could help focus attention on the decorations themselves. One detail that stands out is the political sign from the November 2024 election nestled in the bushes - an unexpected touch that adds a bit of real-world intrigue (and maybe even a little extra "scare" factor)!
I've attached my suggested crop for your consideration.
|
Dec 18th |
 |
| 56 |
Dec 25 |
Comment |
Cisco,
This photo intrigues me, sparking curiosity about the subject's story. The composition is strong, with the man positioned at key intersection points and the end of a golden spiral. Repeating elements of "2" -sandals, bottles, stools - add visual rhythm. The black and white choice works well, highlighting geometric patterns in the sidewalk and fence. However, I wonder if cropping to a square might enhance focus by removing the large empty space on the right. Still, you may have intended that negative space for a purpose I haven't considered. Overall, it's a compelling and well-processed image.
|
Dec 18th |
5 comments - 2 replies for Group 56
|
| 76 |
Dec 25 |
Reply |
Well, in this "neck of the woods", there are people who may come out with a rifle of shotgun, so I have to be choosy. Sometimes I go and knock on the house door and ask permission, but that can get me into a half-hour conversation and sometimes a tour! But on the positive side, I'm old, so people generally are kind and courteous hahaha! |
Dec 28th |
| 76 |
Dec 25 |
Comment |
Henriette,
This photograph truly intrigued me. While Bryce Canyon is often captured in stunning ways, your composition offers a distinct perspective. It's clear you intended the rock formation to be the focal point, yet my eye naturally follows its direction, wondering what it's leading toward. To enhance the impact, you might experiment with a square crop, which could bring greater balance to the scene. I also agree with Gordon's idea of highlighting the green tones in the fir tree - they add a refreshing contrast. Additionally, consider darkening the rock formation to increase contrast and make the subject stand out more vividly. Ultimately, it's your image and your artistic vision, so these are just suggestions to consider as you refine your work.
|
Dec 18th |
 |
| 76 |
Dec 25 |
Comment |
Gordon,
This photograph demonstrates strong compositional skills, with the base of the rear waterfall and the roof of the hut thoughtfully placed at key intersections along the rule of thirds. The smaller waterfall at the bottom right further enhances the balance, sitting perfectly at the meeting point of the lower and right thirds. The long exposure effect on the water is skillfully executed, creating a pleasing blur that naturally draws the viewer's gaze through the scene. The highlights along the water act as an effective leading line, guiding the eye from foreground to background. Additionally, the texture captured in the hut adds a tactile quality, enriching the image's overall depth.
To further elevate the composition, I recommend cropping a bit from the top to remove potential distractions and focusing attention more squarely on the main elements. Additionally, consider darkening the upper left bank area to prevent it from competing visually, as it does not serve as a primary or secondary focal point within the frame. These adjustments, in my humble opinion, will help ensure that the viewer's attention remains on the beautifully rendered waterfalls and the hut, which are the stars of this compelling landscape.
|
Dec 18th |
| 76 |
Dec 25 |
Comment |
Jay, all good suggestions above. |
Dec 18th |
| 76 |
Dec 25 |
Comment |
Sanford,
This is a beautifully serene early morning scene. The gentle ripples on the water suggest there was a tiny breeze during your exposure. Had you considered using a long exposure to smooth out the water's surface? That technique could enhance the tranquil mood of the image even further.
I believe the composition could be strengthened with a 16x9 crop. Placing the mountain at the intersection of the top and left thirds, and positioning the red Japanese structure at the bottom right third, creates a more dynamic and balanced layout. This crop also situates all the water in the bottom third of the frame, which works well since Mt. Fuji's reflection isn't prominent, so excluding it doesn't detract from the image. Additionally, this adjustment removes the two white boxes on the right side, resulting in a cleaner composition. I've included my suggested crop for your consideration.
|
Dec 18th |
 |
| 76 |
Dec 25 |
Comment |
Ian,
This sunrise shot beautifully captures the dynamic energy of the starburst sun, which immediately draws the viewer's attention. Like Gordon, I believe having a clear subject is important, and in this image, the sun certainly stands out as the focal point. To enhance the composition, consider trying a 4x6 crop with the sun positioned at the intersection of the top and left thirds (following the rule of thirds). This adjustment can add depth by focusing the viewer's gaze on a specific segment of your broader scene, creating a more intimate connection with the photograph.
With the suggested crop, the viewer's eye is naturally drawn towards the water, which acts as a visual pathway leading up to the sun. This compositional choice guides the experience and emphasizes the tranquil interaction between the ocean and sunlight. Additionally, experimenting with a 3-shot HDR sequence could provide greater flexibility when processing, allowing you to accentuate details in the rock shelf and balance the highlights and shadows throughout the scene.
I have to admit I'm envious that you have such close access to the ocean. It's a fantastic advantage for capturing these vibrant moments.
|
Dec 18th |
 |
| 76 |
Dec 25 |
Reply |
Gordon, thanks for your insights. We've had a lot of rain this fall, so the grass is unusually green. Some of the darkness is due to a linear filter to deemphasize it in the image. The horizontal line is in the roof, and all barns this age have a slight (or more) tilt to it. The added challenge in this case was that it was roadside, so I had to position myself so I didn't trespass. |
Dec 18th |
5 comments - 2 replies for Group 76
|
10 comments - 4 replies Total
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