|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 56 |
Oct 25 |
Reply |
Thank you |
Oct 19th |
| 56 |
Oct 25 |
Reply |
Thank you. I did like that V when I composed it, but decided to make a more news photo crop. |
Oct 19th |
| 56 |
Oct 25 |
Reply |
Thank you |
Oct 19th |
| 56 |
Oct 25 |
Reply |
Yeah, spacing is always a challenge with my photojournalist eye. I felt the distance left was not important to the image. I wanted the "Adventure" business sign full and I liked the girl at right pointing up to the building window and the lines on the bank's facing bringing the eye back down to the dancers. |
Oct 19th |
| 56 |
Oct 25 |
Comment |
Martin, what stands out to me isn't just the fashion element-it's the curiosity about how she managed to put on those stockings! You've captured the subject beautifully, and the red-orange bag provides a vibrant splash of color that contrasts nicely within the composition. The lines of the flooring complement the image and effectively guide the viewer's eye up to the man texting in the top right corner. Additionally, the black sphere on the right helps retain the viewer's attention within the frame. Overall, it's a well-executed shot! My only recommendation would be to consider allowing a bit more space at the top of the image to ease the tension created by the proximity-unless, of course, that was your intended effect. |
Oct 19th |
| 56 |
Oct 25 |
Comment |
Tom, your image captures the essence of street photography for this group, especially with its intriguing atmosphere from the "Dark Side" this month. In our context, photographing scenes from the street-such as this one-qualifies as street photography. I often find myself drawn to shooting through windows to capture reflections and the people inside, which adds another layer to the narrative.
If you were to present this image alongside other shots from the same town or city, it would naturally become part of a larger story. Including additional images, as Gerhard did this month, can help provide greater context and enrich the main photo's narrative.
There are several elements in your photo that stand out. The row of lights creates a strong leading line, guiding the viewer's eye deeper into the frame. The pair of glasses in the lower left corner raises questions and invites curiosity. Additionally, the heart above the last light on the wall adds a unique tone and character to the bar setting.
To further enhance the image, I recommend applying a radial filter to the bar area. This technique can help bring out the people and make them more prominent within the scene, adding to the overall impact.
|
Oct 19th |
| 56 |
Oct 25 |
Comment |
Marevi, you've captured a truly engaging moment that draws the viewer in and encourages them to explore every part of the photograph. At first glance, our attention goes to the puppet and the puppeteer, whose right arm extends toward the three children. It's intriguing that only one child is focused on the puppet, while the middle child appears to be pointing out something in the bushes to the girl on the right. The couple with a child in the top left corner helps to balance the composition against the presence of the puppeteer. I do have one question: What was your reasoning behind lightening the sky rather than leaving it black? |
Oct 19th |
| 56 |
Oct 25 |
Comment |
Gerhard, your progress with your camera phone is impressive-each month your skills noticeably improve! This photo offers a wealth of details, inviting viewers to explore and discover new elements throughout the image. I appreciate that you identified the type of trees in your title, which adds helpful context for the audience. The composition is nicely balanced, with the group of photographers on the left offset by the shed on the right, and the black garbage container fits in without drawing unwanted attention. One suggestion for future shots: consider allowing more space at the top and bottom to enhance the overall framing. Also, the clouds have been captured beautifully! |
Oct 19th |
| 56 |
Oct 25 |
Comment |
Cisco, you've beautifully captured a truly intimate moment in this photograph. The color palette you selected works exceptionally well, complementing the mood of the scene. While light refractions and reflections can sometimes either enhance or detract from a photo, in this instance, they don't distract from the overall image. However, I would suggest reducing the brightness a bit to create a more balanced look.
The woman's expression is dreamy and captivated, lending an emotional quality to the image. The floral tones in the corner provide a pleasing contrast and help balance the colors found in the background, which adds depth and interest.
I share Marevi's opinion regarding the crop - removing the left portion could strengthen the composition. If you create a square crop from the bottom right, both her face and his (along with his hat) would sit nicely at the intersection points of the rule of thirds. The vibrant background would then occupy the top third of the frame. Alternatively, you could crop the bottom two-thirds into a 4x6 horizontal to focus attention on the couple, which could work particularly well from a journalistic perspective.
Overall, this is a touching and well-executed image that captures a heartfelt moment.
|
Oct 19th |
5 comments - 4 replies for Group 56
|
| 76 |
Oct 25 |
Comment |
Gordon, I'm always intrigued by the British place names, and "Norfolk Broads" is no exception-it's amusing how that phrase means something quite different in Norfolk, Virginia!
Your photograph is impressively balanced. The sail and its reflection provide a pleasing warmth that stands out against the cooler, subdued tones of the sky. The sky itself looks beautifully processed, with a natural yet striking effect that enhances the overall atmosphere of the scene.
I do have a technical question regarding your choice of aperture. The water's ripples are quite noticeable, and I wonder why you opted for f/9 rather than a higher aperture value, such as f/20. Was there a creative reason for this decision, or were you aiming for a specific effect with the texture of the water? I'd be interested to hear your thought process behind this choice.
|
Oct 19th |
| 76 |
Oct 25 |
Comment |
Jay, this photograph presents a truly stunning vista. Including the word "yoga" in the image title could engage viewers, encouraging them to search for that element within the scene. The contours of the mountain in the left foreground effectively guide the viewer's attention toward the yoga class. In my opinion, cropping some of the right side and top to achieve a 4x5 ratio would help reduce distractions from the expansive mountainside and minimize the amount of sky visible. The large boulder in the lower left foreground is thoughtfully positioned, and this revised crop would nicely balance the prominent mountain on the right. Overall, this is a beautifully captured and well-processed image!
|
Oct 19th |
| 76 |
Oct 25 |
Comment |
Sanford, your photograph powerfully conveys a compelling narrative, with the subject's intense gaze and sharply defined features immediately drawing the viewer in. The expression on her face leaves no doubt that she's fully engaged and determined. Prioritizing the jaguar's expression over the vulture's sharpness was a wise artistic decision, as it amplifies the emotional impact of the scene.
While shooting at your lens's maximum focal length can sometimes result in a slight loss of sharpness compared to pulling back a bit-say, from 600mm to 500mm-in this case, the clarity of the jaguar remains exceptional, which is the key strength of this image. Your choice of a 1/1000 second shutter speed effectively freezes the airborne sand, adding a dynamic and visually interesting element to the overall composition.
If I were to offer one suggestion, consider subtly darkening the lower right corner to further enhance the focus and mood of the image.
|
Oct 19th |
| 76 |
Oct 25 |
Comment |
Ian, those clouds are crazy! The subject is the large tree trunk and it is well balanced on the right with other tree debris, creating a triangle. The rest of the image gives context to the subject. The only distraction to my eye are the two trees at right. |
Oct 19th |
4 comments - 0 replies for Group 76
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9 comments - 4 replies Total
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