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| Group |
Round |
C/R |
Comment |
Date |
Image |
| 56 |
Sep 25 |
Comment |
Martin, this street scene is truly compelling, especially with the woman singer engaging with the child. The motion blur in her hands brings a dynamic energy to the photo, which nicely complements the expressive faces. I appreciate the natural circular flow throughout the image - from the singer to the girl, then to the male guitarist. His gaze and the direction of his left arm along the guitar neck subtly lead the viewer's eye back to the singer, reinforcing the connection between them. In fact, the trio forms a triangle. My only recommendation would be to consider leaving a bit more space around the edges to give the composition a little breathing room. Overall, it's a wonderful capture.
|
Sep 19th |
| 56 |
Sep 25 |
Comment |
Tom, this is a well-executed shot captured during your walk through the garden. The subject stands out nicely, but I'd suggest slightly reducing the intensity of the skin tones for a more natural look. The left rail acts as an effective leading line, guiding the viewer's eye into the frame. Since the main narrative centers around a woman on a bridge, consider simplifying the composition by minimizing any distracting elements.
It might be worthwhile to experiment with different cropping options to further highlight the subject and remove distractions - particularly the vegetation entering from the mid-right, which could be cropped out. Additionally, try using dodging and burning techniques to enhance contrast and add more dramatic depth to the image.
|
Sep 19th |
| 56 |
Sep 25 |
Comment |
Marevia, this photograph holds a subtle tension: the woman featured, the dona della nota, stands with her back turned to the street while a passerby moves past, entirely unaware of her presence. The herringbone pattern of the pavement harmonizes beautifully with the geometric shapes of the merchandise displayed on the right, creating a pleasing visual rhythm. I imagine the gentleman walking is absorbed in his own world, perhaps listening to a podcast or music, yet what intrigues me most is the faint, dirty trail he leaves behind - a trail that draws my gaze deeper into the scene. This image is a wonderful street capture, evoking the calm and stillness of a quiet moment in Athens.
|
Sep 19th |
| 56 |
Sep 25 |
Comment |
Gerhard, you're continuing to improve your framing each month while shooting with your iPhone 16 Pro - great progress! My main suggestion would be to try stepping back a bit so your framing isn't quite so tight - but maybe you would have been hit by a car! There are many interesting geometric shapes throughout your photo. The Spud Point Crab Company truck, filled with what appears to be mums, pumpkins, and accompanied by seagulls, makes for a nice focal point, though the contents feel a bit unrelated to the sea theme suggested by the crabs and seagulls.
Your chosen position clearly establishes the truck as the main subject, while the couples nearby act as supporting elements. The crowd in the background adds context and helps tell the story of the scene. Overall, I find this to be a compelling travel photo with thoughtful composition.
|
Sep 19th |
| 56 |
Sep 25 |
Comment |
Cisco, when we present our photographs individually, it's easy to lose sight of the broader narrative our work conveys as a whole. I approach street photography with a flexible mindset - if something unfolds on or near the street, I consider it within the genre. In this particular image from the Tanah Abang fabric market, what stands out to me is the interplay of shapes and lines: the flowing curves of the mannequins, the angular triangles formed by the scarves, and the structural lines of the overhead supports framing the roof. These elements create a compelling visual rhythm throughout the photo.
The image showcases excellent tonal range, moving smoothly between deep blacks, soft grays, and bright whites. However, I would recommend reducing the intensity of the bright white area located near the center right, as it draws too much attention and can distract from the overall composition.
Personally, I find the color version of this photograph more effective. The brightest spot is less overwhelming, and the diverse colors of the fabrics introduce additional contrast and vibrancy, enriching the scene. Nevertheless, both the black and white and color versions are strong images in their own right, each offering a distinct perspective and mood.
|
Sep 19th |
| 56 |
Sep 25 |
Reply |
Thanks! |
Sep 19th |
| 56 |
Sep 25 |
Reply |
Appreciate that! |
Sep 19th |
| 56 |
Sep 25 |
Reply |
Thank you! |
Sep 19th |
| 56 |
Sep 25 |
Reply |
Tom, I didn't crop it tighter because it's the local record shop where I go and I wanted to have his Back to the Vinyl logo show. Had I been doing it for my book on Smalltown Downtown, I would have used a square crop. |
Sep 19th |
 |
5 comments - 4 replies for Group 56
|
| 76 |
Sep 25 |
Reply |
Thanks! |
Sep 19th |
| 76 |
Sep 25 |
Reply |
Appreciate that! |
Sep 19th |
| 76 |
Sep 25 |
Comment |
Rusty, I agree with Ian. You have a subject, now what creative ways can you photograph it that illustrate its size? This video may help you with still life photography https://www.youtube.com/watch?v=BT807FhQSp8. You don't need studio lighting, windows and outdoor lighting work well. |
Sep 19th |
| 76 |
Sep 25 |
Comment |
Henriette, I think you got what you were aiming for. Why did you choose to lighten the orange areas? |
Sep 19th |
| 76 |
Sep 25 |
Comment |
Gordon, this is an impressive photograph, especially given the complexity of the image stacking process. It seems these damselflies remained fairly still during the moment, allowing for a well-composed shot. The lower wings act as a strong leading line, drawing the viewer's attention upward, while the slant of the grass keeps the eye engaged and contained within the frame. Is that the male positioned at the top? He appears to be sporting quite the cheerful expression! The image is exceptionally sharp throughout, and anyone passionate about insects will surely appreciate this outstanding capture. |
Sep 19th |
| 76 |
Sep 25 |
Comment |
Jay, this image is a dream come true for any gearhead! With the hoods open for inspection, the scene instantly captures the excitement of a classic car show. As a longtime enthusiast - especially with our renowned Midwest car show event in Iola - I can truly appreciate the meticulous care the owners have invested in these vehicles. Their attention to detail really shines through in your photo. Tip: When photographing cars at shows, consider using a polarizing filter to minimize unwanted reflections. That said, sometimes reflections can add a creative, artistic touch to your composition, so it's worth experimenting to see what works best for each shot.
If possible, I'd recommend leaving a little more space at the top of the image - the front hood feels quite close to the edge and could benefit from some breathing room. Also, I noticed a shaded area on the windshield of the front car that wasn't present in your original photo; you might want to check what caused this change. You did a great job eliminating distractions from the background and darkening the pavement, which really helps the cars stand out. These thoughtful edits enhance the overall impact of the scene.
Just as an aside, I'm currently processing images for my upcoming book, Smalltown Downtown Car Shows. Your work here serves as wonderful inspiration - keep it up!
|
Sep 19th |
| 76 |
Sep 25 |
Comment |
Sanford, you transformed an ordinary image into a striking piece of photographic art. The way you enhanced the tonal and color contrasts really brings the photo to life, and the overall balance throughout the composition is excellent. The placement of the photographer at the left, right at the third intersection, adds depth and context to the story, and that red hat adds a brilliant touch!
I do have one question about the clouds at the top of the image. Were they actually that vibrant, and was the dark cloud at the top truly so intense? Personally, I think toning down those clouds a bit could make them look more natural. Nevertheless, this is a truly outstanding photograph!
|
Sep 19th |
| 76 |
Sep 25 |
Comment |
Ian, this is an appealing travel photo, and you've done a great job capturing the brilliant "whiteness" of the waves - from the foamy water rolling onto the shore, to the delicate wisps above, and the dynamic crashing waves positioned at the top right intersection of the rule of thirds. Including the buildings adds valuable context to the scene. However, the sky appears a bit subdued; enhancing the clouds slightly could help bring out both the deeper tones and the bright whites, which would nicely complement the vibrancy of the surf. |
Sep 19th |
6 comments - 2 replies for Group 76
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11 comments - 6 replies Total
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