|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 56 |
Aug 25 |
Reply |
I could see Denzel driving this! |
Aug 21st |
| 56 |
Aug 25 |
Reply |
That's the perplexing thing about some shots, whether to use the color or go b&w! What actor are you thinking of, Harrison Ford? |
Aug 12th |
| 56 |
Aug 25 |
Reply |
Thank you! |
Aug 12th |
| 56 |
Aug 25 |
Reply |
How would you refine the background and what are the distractions you see? |
Aug 12th |
| 56 |
Aug 25 |
Reply |
I also use the mantra of "You get what you get and don't throw a fit," my Mom instilled in me while a lad! |
Aug 12th |
| 56 |
Aug 25 |
Reply |
Martin, I will be doing a color version in the near future and will compare the two! The driver is actually on the left side of the car. |
Aug 12th |
| 56 |
Aug 25 |
Comment |
Martin, I appreciate that you shared the story behind your photograph - it enriches our understanding of the visual choices you made. The inclusion of five figures offers a compelling compositional strength, as odd numbers often do. The image is notably crisp, and the lighting is handled beautifully.
I do have a couple of thoughts regarding cropping that might enhance the composition further. First, consider cropping the left edge just up to the vertical line of the window; this would create a cleaner boundary. Next, adjusting the image into a more panoramic format by cropping both the top and the bottom could be quite effective. At the top, I'd suggest bringing the crop line down just past the reflections of the light bulbs, while the bottom can be trimmed as you see fit. These refinements wouldn't sacrifice any important context, but rather, they would help unify the three distinct areas within the frame, creating a more cohesive and focused image.
|
Aug 12th |
| 56 |
Aug 25 |
Comment |
Tom, your image offers a compelling narrative, rich in atmosphere and subtle detail. The presence of devoted female Buddhists encircling the humble worship site in Tibet imbues the scene with a quiet reverence. I am particularly drawn to the way sunlight filters through, casting beams that dance across the ancient stonework, illuminating paths both literal and spiritual. The addition of grain lends the photograph a nostalgic texture-a cinematic echo reminiscent of vintage film.
Consider, if you will, the potential for discovering 'images within images': moments of layered meaning that reside in contrasts - such as the interplay between the contemporary and the deeply traditional. I've included an example that highlights this juxtaposition, offering an additional lens through which to contemplate your surroundings. You might experiment with black-and-white processing as well, evoking the timeless character of classic National Geographic features, where shadows and light become the primary storytellers.
Ultimately, your interpretation remains central to your artistic journey. Let your vision guide the narrative, even as you explore new techniques that might deepen the resonance of your work.
|
Aug 12th |
 |
| 56 |
Aug 25 |
Comment |
Marevia, I appreciate the opportunity to discuss this image as part of a thoughtful photographic project - understanding your artistic intent sheds light on the techniques you've chosen. The decision to frame five children is visually satisfying; odd numbers often lend a pleasing sense of balance, and here, five figures offer a "handful" of narrative elements for the viewer.
The two Ethiopian boys at the forefront are absorbed in conversation, inviting gentle curiosity: what stories or secrets might they be exchanging? Meanwhile, the children in the background direct their focus elsewhere, their gazes pulled by an unseen thread. This quiet divergence introduces a compelling sense of mystery - what might have captured their attention, and what does that suggest about the world beyond the frame?
The presence of the compound or village in the distance, marked by a metal gate, enriches the photograph with additional context, grounding your subjects in a tangible place and hinting at the rhythms of daily life.
If I were to offer a gentle suggestion, it would be to allow a touch more separation between the central boy and the child behind him, enhancing clarity and depth. Of course, given the muddy conditions, a simple step to the left may not have been feasible - a detail that speaks to the realities and constraints of documentary photography.
Overall, your image weaves together structure, intrigue, and environment, inviting viewers to linger and wonder at the story unfolding within this instant of village life.
|
Aug 12th |
| 56 |
Aug 25 |
Comment |
Gerhard, this photograph offers an intriguing foundation for potentially three distinct compositions: the two far stalls and the nearest one. Was this image captured spontaneously, in passing? Focusing on the closest stall - as highlighted in the attached image - there is excellent visual separation among the three men in the foreground, complemented by three figures in the background who also stand out with clarity. The items displayed within the stall are easily discernible, while the overhead structure provides a striking contrast against the architectural lines of the surrounding buildings. I encourage you to explore a section of this image further and look forward to your refined submission in the coming months. |
Aug 12th |
 |
| 56 |
Aug 25 |
Comment |
Cisco, your image masterfully weaves a narrative - there's no question that a story unfolds as we witness the two men immersed in bargaining over the price of dresses. The moment is authentic and compelling, and your choice to present it in black and white amplifies the drama, allowing the interplay of light to guide the viewer's attention.
Three distinct sources of illumination shape the scene: the glow of bulbs, the soft wash of sky, and the distant radiance far in the background. To bring the focus more intentionally onto the two central figures, I would suggest using a radial filter to subtly lift their faces, drawing the viewer's eye directly to their negotiation. Concurrently, linear filters applied to the upper edge and distant background could gently temper the ambient brightness, ensuring the men's interaction remains the visual anchor.
The depth of field is handled well, providing both clarity and context, while the composition maintains a pleasing equilibrium. Overall, it's a well-balanced image with a palpable sense of place - an evocative capture that invites us into the heart of the exchange.
|
Aug 12th |
| 56 |
Aug 25 |
Reply |
You're right with the color positioning. Unfortunately, this was a "turn and shoot" situation to catch it driving by as I was photographing a classic Thunderbird across the street. I guess I was being greedy hahaha! |
Aug 9th |
5 comments - 7 replies for Group 56
|
| 76 |
Aug 25 |
Reply |
Sorry about that Rusty - you were on my mind! There was a Rusty in our neighborhood, though he was an orange tiger cat. The mind does funny things ... |
Aug 21st |
| 76 |
Aug 25 |
Comment |
The portrait of Rusty radiates the timeless charm that only a beloved feline companion can convey. The photograph gracefully showcases Rusty's sumptuous fur. The singular blue eye, luminous and arresting, becomes the soul of the image - its vividness pulls the viewer in, hinting at stories untold and quiet intelligence.
To further elevate this already delightful composition, employing a subject mask in Lightroom would prove invaluable. By delicately separating Rusty from the background, the viewer's attention would be drawn squarely to the cat's expressive features, allowing the subtle nuances of his coat and the captivating markings to truly shine.
Currently, the brightness of the coach or chair in the bottom left, while cozy, inadvertently diverts attention from Rusty. Similarly, the light wall at the top right becomes a competing element, diluting the photograph's focus. Consider softening these distractions through gentle exposure adjustments or masking, ensuring that Rusty remains the undisputed star of the frame.
Lastly, a touch of sharpening - particularly around the face and that mesmerizing blue eye - would imbue the image with added clarity and presence, bringing forward the intricate textures that define Rusty's unique character. These thoughtful refinements would not only honor Rusty's singular beauty but also transform a cherished snapshot into a work of art.
|
Aug 21st |
| 76 |
Aug 25 |
Comment |
Henriette, as my mother would often remind me, "You get what you get and don't throw a fit." This sentiment is remarkably fitting for the art of photography. Your image captures a splendid moment of the Great White Egret in action, and the composition is truly commendable.
I believe the photograph benefits from retaining the original, darker background. The deep green provides a dramatic contrast that allows the Egret to stand out beautifully. If you revisit your original file in Lightroom, consider using a subject mask and carefully outlining the bird - particularly around the feathers at the bottom - with the pen tool so you can focus your adjustments precisely on the Egret itself.
The sharpness of the bird's eye and beak is excellent, which is essential for compelling bird photography. Many of the feathers are well defined, adding to the image's overall sense of detail and vitality. The graceful curve of the yellow palm branch beneath the Egret is a delightful touch that enhances the scene.
Overall, this photograph is a striking example of skill and timing. With thoughtful editing, you can further highlight the elegant features of your subject while preserving the powerful atmosphere of the original.
|
Aug 21st |
| 76 |
Aug 25 |
Comment |
Gordon, this seascape captures the wild beauty of the Welsh coast, and it serves as a vivid reminder of why I need to visit the ocean - the Great Lakes simply don't compare. Regarding your intended subject, you mentioned the waves are central to the image. With that in mind, I suggest subtly darkening the foreground sand and rocks, as well as the distant waters, to help emphasize the white crests of the waves. The whites in the waves are already well-rendered and require no further adjustment. The warm glow of the sunset sky and the sloping hill on the right add a compelling atmosphere, though together, they almost shift attention toward the sunset as the primary focus. A few tonal adjustments could strengthen the visual priority of the waves, aligning the image more closely with your original intent. |
Aug 21st |
| 76 |
Aug 25 |
Comment |
Jay, the search for unique perspectives is one of the hallmarks of thoughtful photography, and you've demonstrated a keen eye for discovering angles that many might overlook. This image excels in its use of geometry; the imposing central support beams guide the viewer's gaze upward, while the radiating lines naturally lead the eye to the vividly colored cars perched on the wheel's outer edge. The muted grey sky serves as an ideal canvas, allowing the blue, orange, and yellow tones to stand out in vibrant contrast. Altogether, this is a skillfully composed and visually compelling photograph - well done! |
Aug 21st |
| 76 |
Aug 25 |
Comment |
Sanford, my deepest sympathies on the loss of your loved one. I'm reminded of the canvas print that hangs in my home - a cherished photo of my dog, adorned with his collar draped over one corner, a gentle tribute since his passing years ago. Your photograph radiates a beautiful spirit, and I have no doubt its warmth will evoke treasured memories for you in the years ahead. |
Aug 21st |
| 76 |
Aug 25 |
Comment |
Ian, this is a striking night capture of Sydney. The highway sweeps gracefully through the frame, acting as a compelling leading line that draws the viewer's eye into the heart of the city. The Opera House stands as a luminous counterpoint to the brilliance of the highway, creating a pleasing sense of equilibrium in the composition. The water's smooth, glass-like surface beautifully echoes the softness of the blue hour sky, enhancing the tranquil atmosphere of the scene. Well done! |
Aug 21st |
| 76 |
Aug 25 |
Reply |
Thank you |
Aug 21st |
| 76 |
Aug 25 |
Reply |
Thank you! |
Aug 21st |
| 76 |
Aug 25 |
Reply |
There are fewer family dairy farms in my county, more megadairies. Most farms are grain farmers with corn and soy beans the major cash crops. |
Aug 21st |
| 76 |
Aug 25 |
Reply |
Thanks! Can't wait for fall colors this year. |
Aug 21st |
| 76 |
Aug 25 |
Reply |
A lot of old barns are disappearing here and the local historical societies are embarking on a project to photograph them and record their histories. I have been photographing barns and sheds for 5 years and several have just collapsed from decay. |
Aug 21st |
6 comments - 6 replies for Group 76
|
11 comments - 13 replies Total
|
