|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 41 |
Oct 24 |
Reply |
Lisa, Thanks for the explanation and the link. |
Oct 25th |
| 41 |
Oct 24 |
Comment |
Lisa, This feels like an homage to Escher. I will be less polite than Melissa. Can you share some of your in camera process? |
Oct 17th |
| 41 |
Oct 24 |
Comment |
Nadia, This is a compelling image with lots of wonderful lighting and mystery. The angle of the door feels a little off to me, a minor point. I also wonder if you might be able to add to the magical aspect of this by playing a little with the light on the figure, it feels a little bright/white for my taste |
Oct 17th |
| 41 |
Oct 24 |
Comment |
Tom, I am happy to see the return of "the man". You are a perfect model for so many images. I love how you've realistically lit the side of your face and body to nicely integrate the figure into the nightmare. I agree with Melissa about how the hand doesn't seem to fully grip the lever. I find the background too big making the subject less a focal point. I've added a crop which focuses the attention on the subject more. I realize it looses the message of the monster but I include it just as proof of a concept. I wonder if you could crop it tighter while still including enough details of the monster. |
Oct 17th |
 |
| 41 |
Oct 24 |
Comment |
Brian, This is a clever idea. I'm not sure the image on the back of the peeled back wall makes sense. I wonder if you could tone down the black line at the edge as that doesn't feel realistic. I also wonder if you peeled back the wall just to where the right wall meets the left wall. |
Oct 17th |
4 comments - 1 reply for Group 41
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4 comments - 1 reply Total
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