|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 34 |
Jan 19 |
Comment |
This is a lovely concept. At first, I did not care for the great difference in tone between the evening sky and the daytime sky, but from your title, I see that it was intended to be an unfolding of dawn. At any rate, a closer match in tones would appeal more to me. I tried to illustrate what I mean, but without the Alien Sky app, I couldn't get it right. I'm posting what I did, just to illustrate the closer tonality I refer to, not because I like my end result! |
Jan 11th |
 |
| 34 |
Jan 19 |
Comment |
Helen, this is a very nice composition. Steve's metallic steps are worth trying. However, to me, the septra's appearance does not really need to be enhanced. It's a small part of the image, and I think what you did is fine. However, how to make things more metalic looking has always been a question of mine. Thanks for your input, Steve!
The only small thing that I would suggest is to add some grass poking up in front of the chess board, at the edge of the board. When placing anything onto the ground in an image, there are always stray artifacts that come in front of its edge. The shadow you added is helpful, but not the whole effect, in my opinion. |
Jan 11th |
| 34 |
Jan 19 |
Comment |
Helen, this is a very nice composition. Steve's metallic steps are worth trying. However, to me, the septra's appearance does not really need to be enhanced. It's a small part of the image, and I think what you did is fine. However, how to make things more metalic looking has always been a question of mine. Thanks for your input, Steve!
The only small thing that I would suggest is to add some grass poking up in front of the chess board, at the edge of the board. When placing anything onto the ground in an image, there are always stray artifacts that come in front of its edge. The shadow you added is helpful, but not the whole effect, in my opinion. |
Jan 11th |
| 34 |
Jan 19 |
Comment |
I agree with Jan's assessment. At first I was looking for the shadow you mentioned, but couldn't see it. The addition of the elongated shadow also sets the scene for the dark (shaded) areas on the bottom.
Good job with a creative story line! |
Jan 11th |
| 34 |
Jan 19 |
Comment |
I love the twirl effect, but have recently forgotten about it until I viewed your image. You have done a creative job of making a twirl from a combined 4 image pic. It's lovely. Thanks for the instructions. You've inspired me to take another look at what can be done with the twirl effect!
|
Jan 11th |
| 34 |
Jan 19 |
Comment |
The image is nicely done, in my opinion. I really like the black/white stick and the zoomed background. The eyes are quite effective. I think it would also be effective if you had left some of the red veins in the eyes!
|
Jan 11th |
| 34 |
Jan 19 |
Reply |
The motion blur was put on the entire duplicated layer. Then I used a mask to hide all areas of the blurred layer, except for between the cars. |
Jan 11th |
6 comments - 1 reply for Group 34
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6 comments - 1 reply Total
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