|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 39 |
Feb 20 |
Comment |
I like the different structures, wall and tree, but i find the image too bright.
Just a try: to reduce the hightlight and to increase the texture??? |
Feb 21st |
| 39 |
Feb 20 |
Comment |
This is also, at my opinion, a picture for the B&W.
Why did you "cut" the beam? I would have kept it completely. With a less cropping it will perhaps be necessary to reduce the highlight on the right.
The door, even if it is so, leans a little too much, at my opinion.
The drawings of the shadow bring a lot at the picture. |
Feb 21st |
| 39 |
Feb 20 |
Reply |
The lens is the 2.8, but i avoid to work full opened… to have a bigger DOF. With these settings I am often "too" slow. Not the fist time... |
Feb 21st |
| 39 |
Feb 20 |
Reply |
David, you are right once again. I always forget and I am sorry. I will try to manage to avoid this comment…
Thanks again. |
Feb 21st |
| 39 |
Feb 20 |
Comment |
Indeed a good shot. We can see the movement with the water around the wheels.
The sharpness allows us the read the letters and to see the face of the pilot. Is it possible (and do you wish) to have more space above? |
Feb 21st |
| 39 |
Feb 20 |
Comment |
At my opinion, as you mentioned it in the description, the main subject is the beard. So the croped image is perfect. As I have already received as comment, a thin white frame around the image would separate it from all the background.
The sharpness of the beard is perfect.
If his eyes would have been more opened, it would have improved the picture, for me.
I alse like the glass of wine, part of the image, but i am quite disturbed by his right hand. It is not too dark for me, but too bright. It is not the main subjects. |
Feb 19th |
| 39 |
Feb 20 |
Comment |
Good idea to keep this format and not to go to a square format (what I imagined at first sight). Indeed your choice keeps all the reflection, and the forground is filled with the otagon on the ground.
Good perspectives and symetry and a lot of tones of grey.
The slanting shadow on the wall breaks a little the symetry, and that is a good point, at my opinion. |
Feb 19th |
| 39 |
Feb 20 |
Comment |
Good idea David.
I really like the 3 images, Cowboy (real one with "anachronistic" sunglasses if you wish a cowboy of last century…), the horses (on the move)and the background. For the "side", I prefer the original (sorry Larry…) for the reason that we look in same direction, at the same place than the cowboy. With the proposition of Larry, I find we look more at the cowboy than where he looks. It is a personnal choice.
The white spots (the first 2 horses ont the left) can be disturbing, for me. |
Feb 19th |
6 comments - 2 replies for Group 39
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6 comments - 2 replies Total
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