|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 5 |
Mar 25 |
Reply |
Thank you, Tom! I felt honored to be there, and, at the same time, I felt that it should have been a private moment for the man. |
Mar 19th |
| 5 |
Mar 25 |
Comment |
Such a fascinating image. It really tells a story about that area of Colorado. As I looked at your photograph, I wondered what it might be like as a monochrome. So, off to Camera Raw to see what I could do. Your thoughts?
|
Mar 18th |
 |
| 5 |
Mar 25 |
Comment |
Such a fun photograph! I love the delighted faces of the boys. Mark's suggestion would be worth trying. I also suggest desaturating the green a bit.
|
Mar 11th |
| 5 |
Mar 25 |
Comment |
Richard, it was very emotional for me to watch this man. The moment meant a great deal to him.
I hadn't noticed the conflicting Marine vs. Army clothing. Interesting question!
|
Mar 5th |
| 5 |
Mar 25 |
Comment |
Mark, this is exceptional and would easily take first place in most competitions! Your post-processing was excellent. The soft colors in the water make it appear that the heron is running toward the light, and it looks completely natural. My only recommendation echos Richard's comment. "Print it and hang it on the wall!"
|
Mar 4th |
| 5 |
Mar 25 |
Comment |
Keisha, it's a fascinating and frightening image! I love photographs that evoke an emotion in the viewer, even if the emotion is fear. The sharpness of the snake's eye is excellent. I am curious about the relative blurriness of the snake's scales at the bottom/right of the image. It seems roughly the same distance from the camera as the sharper portions on each side.
Well done!
|
Mar 3rd |
5 comments - 1 reply for Group 5
|
| 62 |
Mar 25 |
Comment |
Chris, I found it difficult to resist playing with your wonderful image. It has so many different possibilities, especially the monochrome version! Here's what I came up with. Your thoughts?
|
Mar 27th |
 |
| 62 |
Mar 25 |
Comment |
Emil, I love this. It's not a "typical" image, but it works! The textures, lines, and outstanding tones make it a natural for monochrome. Very well done!
|
Mar 26th |
| 62 |
Mar 25 |
Comment |
Mike, like Chris, I played with your image in Camera Raw. I wanted to see if I could make the fascinating tree serve as both a focal point and a frame for the ocean scene. My first attempt was a total failure. All I did was mess up your excellent photograph. So, I tried again, this time modifying the lighting. Your thoughts?
|
Mar 19th |
 |
| 62 |
Mar 25 |
Reply |
Mike, very cool. THANK YOU! I will definitely explore some of the YouTube videos about the process. My approach was to darken the entire image and then use two linear masks in Camera Raw to focus the lighting where I wanted it.
|
Mar 10th |
| 62 |
Mar 25 |
Comment |
Mark, an interesting scene. However, there is so much going on that I can't decide where to look. With that in mind, I decided to see if I could make the young man facing the camera the focal point. After increasing the image size (it's best to have a vertical size of about 750 pixels), I used Camera Raw to modify the lighting. Did I lose the feeling that you wanted the image to convey?
|
Mar 8th |
 |
| 62 |
Mar 25 |
Reply |
Emil, those are high compliments from you. Thank you! |
Mar 5th |
| 62 |
Mar 25 |
Comment |
Adrian, somehow you see wonderful images where mere mortals wouldn't. I'm terribly impressed. This photograph is captivating. The idea of photographing the back of the woman and bringing the viewer's attention to her hat is brilliant.
I couldn't help playing with the original. Typically, my images don't have the intense contrast that yours exhibit. With that in mind, here's what I came up with. It's really a completely different image. Thoughts??
|
Mar 4th |
 |
5 comments - 2 replies for Group 62
|
10 comments - 3 replies Total
|