Activity for User 806 - Oliver Morton - oliver.morton@yahoo.com

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1266 Comments / 798 Replies Posted

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Group Round C/R Comment Date Image
5 Nov 19 Reply Thank you, Nick. I appreciate it very much. And, I agree that the vegetation (which many people hardly notice) is a key component of the image. Nov 27th
5 Nov 19 Reply David, your input/compliments mean a lot to me. Thank you. Frankly, I was initially disappointed with the image as it came from the camera. However, I decided to see what I could do with it. The software available today is astounding! And, with AI entering the picture, the future is incredibly exciting! Nov 27th
5 Nov 19 Reply Phil, it always surprises me what I find when I travel. Although Connecticut may not have the rolling hills of Washington state, I bet it has its own unique areas. I'd love to spend time there.... with my camera of course.

Nov 27th
5 Nov 19 Reply Barbara, the more I'm involved in photography the more I appreciate all the tools available to transform the initial image. Software today is astounding. I can hardly wait to see what becomes available as technology progresses.
Nov 27th
5 Nov 19 Reply Thank you, Mark. It was an amazing area. I found that the light varied from minute to minute and created a different image with each change. It was fascinating. Nov 27th
5 Nov 19 Reply Mark, I definitely think you achieved your goal. To me the figure is the focus of the photograph. The lines of the patterns and position of the figure draw my eyes to it. And, the fact that it's a silhouette adds to the intrigue.
Nov 17th
5 Nov 19 Comment Mark, I totally agree that achieving "stark differences in lighting" is often best achieved at midday. Personally, I find your image fascinating and well conceived, but not especially appealing. The shapes of the light/dark areas give me a frightening feeling of doom. And, the bright area in the top left quickly draws my eyes to the silhouette that looks like a seated figure, adding even more mystery to the photograph.

I keep coming back to see your image and ponder its meaning. You have created something that evokes strong feelings (in me, at least). Very well done!
Nov 12th
5 Nov 19 Reply Stephen, thank you for your compliments.

I found that the beautiful rolling fields of the Palouse gradually faded out to a hazy horizon. That didn't make for a very appealing image, so concentrating on the land seemed to be the way to go.
Nov 12th
5 Nov 19 Reply Diana, I also am not sure if we were on the same trip. I found it quite interesting but fairly long in a cramped vehicle... lol. Please take a look at my reply to Donna Paul above.

Nov 12th
5 Nov 19 Reply Donna, the Palouse was amazing. However, I found the tours that show "photo locations" to be fairly disappointing. The photography possibilities were excellent, but certainly not unusual since we're all seen similar images multiple times. A friend and I were lucky enough to get out into the countryside on our own. My October submission to this group came from such a trip.... also, my October and November submission in Group 62. If you have an opportunity to drive around in that area without going on a standard tour, I highly recommend it.

Nov 12th
5 Nov 19 Comment Nick, you really did a good job with this composite! I'm impressed with both your imagination and your technical skills. I like the fact that the closer bird is in sharp focus, but the other one is just a bit blurry. The only thing I can offer is that it might be beneficial to remove the noise that I detect in parts of the photograph.

Nicely done.

Nov 7th
5 Nov 19 Comment Phil, you've definitely achieved the artistic feel that you were attempting. You did an incredible job with this composite. I can only suggest a couple of tiny possibilities. It might be good to keep dust from slightly blurring the horse's face and it would be nice to have just a bit more room in front of the horse. These are not significant detractors at all. It's a wonderful image.
Nov 6th
5 Nov 19 Comment Thank you, Tom. The light rolling hills almost seemed like a couple of ribbons flowing through the farmland. It's a fascinating area.
Nov 3rd
5 Nov 19 Comment I really like images that "work" even though they break some of the "rules" of photography. And, David, your submission does exactly that! Imagine, having the subject in the center of the image and surrounding it with all that dead space. Most judges would go nuts! But, fact is, you've created an outstanding photograph.... yet another testament to your imagination and creativity. Sadly(?), I have no input that could improve this excellent image. Beautifully done.
Nov 3rd

5 comments - 9 replies for Group 5

40 Nov 19 Comment Catherine, I'm really impressed that you noticed this detail. It is one of those small things that most of us (including me!) would simply pass over. Very well done!

After reading the comments about increasing the contrast, I played with your image a bit in Photoshop. Your thoughts?

Nov 27th

1 comment - 0 replies for Group 40

45 Nov 19 Comment It's really interesting how cropping out a bit of the water on the bottom of the image makes me feel the closeness and power of the bridge overhead. To me that makes it an even stronger image.

I had not previously thought of using Dehaze to "smooth out" choppy water. Good idea! Thanks.

A wonderful image!
Nov 22nd

1 comment - 0 replies for Group 45

62 Nov 19 Reply Well, my son, you are forgiven. And, your work is heavenly.
Nov 24th
62 Nov 19 Reply Israel, that's a very generous offer. Thank you! If my wife and I ever travel to Jerusalem, I'll definitely get in touch (and take you to lunch!).

Nov 18th
62 Nov 19 Reply Very nice, Bob. I like your (tight) edit better than mine. Using the adjustment brush, use the DeHaze slider on the breaking wave and see what you think.

Nov 17th
62 Nov 19 Comment Bob, I commented on your image earlier but somehow I managed to delete my input. (A symptom of my old age, I'm sure.) In any event, here are my thoughts....

First, I think all of the images are wonderful. They capture the feeling of the sea and the lighthouses provide the basis for a great story. To me, your treatment of the sky is very well done. Its angry nature somehow adds to the strength of the sea. Well done!

Naturally, I played with my favorite image (#3) in Photoshop. I cropped it a bit, darkened the foreground rocks and used Dehaze to add some additional texture to the breaking wave. Whatdaya think?

Nov 17th
62 Nov 19 Reply Bob, that's a great idea. I agree that it would make the portrait even more interesting and appealing! Of course, I don't know what Gary's thoughts are on this modification.



Nov 17th
62 Nov 19 Comment Thank you, Julie! This is also one of my favorite images and I wanted to get our study groups' input to decide if I should submit it to one of my camera club's competitions. It's always great to hear what other photographers have to say and suggest!

Nov 17th
62 Nov 19 Comment Excellent timing! I like the smoke and the angle of the pot that he's swinging. It seems to point to the window, which adds even more interest to the image. To me, this is one of those images that works well in either monochrome or color.

Like Gary, I think it would have been an even better photograph to show what he's consecrating. Also, it would be fantastic to be able to see a bit more of his arms. Nonetheless, it's an excellent capture in a difficult environment. Well done!

Nov 8th
62 Nov 19 Comment Gary, I love your photograph AND your description. People's faces tell volumes about them and how they have interacted with the world. As you've mentioned, they often reveal a different existence than the one we've lived... which, I believe, makes our lives richer.

The toning of the image and your light vignette really fit the man's face. I have no suggestions for change... besides, you said you "ain't changing a thing!". lol

Well done.
Nov 8th
62 Nov 19 Comment LuAnn, it's a remarkable image! There is a complete story that immediately comes to mind. Her weathered look, her clothes, gloves and boots speak of a down-to-earth life filled with hard work. I love the attentiveness of the dog. Wonderful!

The only minor thing you might want to consider is the brightness of the woman's face. It seems just a bit too light for the surrounding light, but it shouldn't be darkened much (if at all) since it's important that her face remain a central point of focus.

Very well done!
Nov 8th
62 Nov 19 Reply LuAnn, I think the blob was an old rag that had been hung over the window many years past. Like you, I'm not really bothered by the bottom of the turn signal though it probably would have been good to include it.

Yep, those are bullet holes in the window. They attest to the fact that it was a very rural area! lol
Nov 5th
62 Nov 19 Reply Bob, I debated about the blob at the top of the window. I didn't want to detract from the steering wheel and dashboard, so I thought I'd remove it. But then, I felt that it might be beneficial to have something in addition to the broken glass in the top left of the image.

Nov 5th
62 Nov 19 Reply Thank you LuAnn. From you that's high praise indeed! Nov 5th
62 Nov 19 Reply LOL... Gary, I enjoy post-processing even more than taking photographs. So, it's hard to resist playing around with some of the well-done images that are submitted.
Nov 5th
62 Nov 19 Comment She is such a beautiful, iconic figure and you did a great job capturing her essence! Nicely done! And, btw, your Canon SX 60 is quite impressive.

I agree that there seems to be a bit too much contrast. Thus, I took a stab at modifying the original. I also cropped a bit on the right since I felt that a narrower vertical image gives her an even greater sense of strength. Your thoughts?




Nov 1st

6 comments - 8 replies for Group 62


13 comments - 17 replies Total


186 Images Posted

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