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| Group |
Round |
C/R |
Comment |
Date |
Image |
| 64 |
Jun 24 |
Comment |
Excellent composition Stuart! I especially like the lines coming from the mast and note that you took care that the foreword lines do not touch the tall building on the right. There is a "communication" between the much larger vessel and the smaller boats anchored in front of it. |
Jun 17th |
| 64 |
Jun 24 |
Comment |
Beautiful and delicate. The white baby's breath makes a perfect background to highlight and frame the rose. The tonal gradations in the rose are exquisite and inviting. Excellent work. |
Jun 17th |
| 64 |
Jun 24 |
Comment |
The monochrome version captures the glint of the gold surfaces of the buildings. If I had not seen the color version I would have imagined the temples as gold. The detail in the larger building is very good. The darker tone of the smaller spires obscures some of those buildings' detail, but there is nothing that could have been done about that. Your use of a dark sky, foreground and environment around the temples highlights the building very well. |
Jun 17th |
| 64 |
Jun 24 |
Comment |
Your image shows excellent consideration of light and shadow. I particularly like how you have most of the building in strong, but warm light, while leaving room for light within the shadows to define the cars with reflected skylight and headlights. The tonal contrast and detail are superb. Well done. I would not change a thing. |
Jun 17th |
| 64 |
Jun 24 |
Comment |
Wow. The detail makes a great first impression in this image. Initially it has the appearance of a micrograph. As topographic relief, the forces of nature can be seen and felt. Very nice textures which are made more vivid by the areas of reflected light. |
Jun 17th |
| 64 |
Jun 24 |
Comment |
The alternating light and dark sections of the wall, are nicely emphasized by the multiple arched frames. The curved walkway leads me through the tunnel. I would consider burning the bright sections of wall to bring out the detail in the brickwork. I don't mind losing detail in the dark sections because the larger rough masonry work in the arches is visible and has great texture. Well done. |
Jun 17th |
6 comments - 0 replies for Group 64
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6 comments - 0 replies Total
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