|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 64 |
Mar 18 |
Comment |
Well done for getting that sharpness from hand held 1/3 sec on 52mm! Remind me to lean on you someday when I'm being similarly ambitious!
Umbrella or not to umbrella? I'm between opinions, it does draw the eye but can be seen as part of the picture as it points inwards. But the face looking out of the picture is a pity... could you reverse him?
I agree, more of the top to show the top of the fire would be nicer for me.
I had a trailer tent years ago, stored on a farm over the winter in a barn, where they had a fire! Fortunately they got it out with only holes in the cover.
|
Mar 15th |
| 64 |
Mar 18 |
Comment |
Another super image following what I think is Abhijeet's favourite style. I think it's wonderful.
Perhaps the halo has come from too much sharpening? I've been looking at classical images more than usual recently, and it is very noticeable to me that pictures that invoke lasting tributes to great story telling and emotion are frequently not technically up to modern day scratch. Are they still great, or are we just making allowances for their old equipment? I'd say they are still great, and this image reminds me of some of those.
Might I suggest a 2 pixel white border, as the bottom merges into the frame? If that then shows that the elephant is a bit too close to the bottom, just clone in a bit more black below. |
Mar 14th |
| 64 |
Mar 18 |
Comment |
Great image, Stan. Full of punch and drama. My only comment would be, would it be better to crop off a little more so that the arch is removed? To me it looks a bit like only a little has been omitted, a bit like a picture of a person with the feet cut off. But I'm being picky, I like it. |
Mar 14th |
| 64 |
Mar 18 |
Comment |
I'd go for that too, Jerry. I know that astracts are often exceptions, but usually I like to look at what is the centre of attention of the picture, and then consider what all the other bits are doing to simplify and concentrate the impact of that centre. I like square format for images like this too, so I'd take a little off the bottom and more off the top to get to this shape. |
Mar 14th |
| 64 |
Mar 18 |
Comment |
I think it's a very interesting image. Lots of detail, fascinating. I'd agree with the comments above.
I'm wondering though whether the detail towards the edges of the image are more than necessary and so ultimately distracting from the thrust of the machine. I've wondered about vignetting, and a sharpish transition outside the ellipse of the machine itself, to black corners it might be appealing? I'd try to keep the staircases in though as they are nice lead-ins. Or perhaps a blur vignette? |
Mar 14th |
| 64 |
Mar 18 |
Comment |
Yes, I also think it's a pleasant mono with nice detail, gradation, sharpness and composition. Whilst I like the second version with much darker "background", I like the original also and would suggest that the darker one is too dark; perhaps somewhere in between would be optimal?
But I harp back to the quotation in my bio - "If colour is important to an image, shoot in colour......" Here I think colour is important, and so I prefer the colour version. |
Mar 14th |
| 64 |
Mar 18 |
Reply |
Thanks, Stan, I hadn't thought of DoF. Micro 4/3 has a bigger depth of field than larger formats of course when similar focal lengths are compared, but at the distance involved I never gave it a second thought. I have a friend who does a lot of aerial photography so I'll ask for his comment.
Now you've pointed it out, I do agree, it's too dark. I'm unsure now - we normally look for a little black and a little white in our normal monochromes, so should we look for a little very dark brown in our sepias? I need to get out some of my mum and dad's old photos! But irrespective, I think a little less brown would be better. Thanks! |
Mar 9th |
| 64 |
Mar 18 |
Comment |
Hi Jerry,
I'm sure Olympus would be unhappy to hear that, it being taken on their £1500 PRO lens! You are right, though, the detail is weak, as it is on the original I've posted, so I can't blame the sepia processing. I've examined the RAW file and found that whilst still weak, there is detail there - see attached. So I think it's probably the low resolution on this forum that's mainly to blame. |
Mar 9th |
 |
7 comments - 1 reply for Group 64
|
7 comments - 1 reply Total
|