|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 31 |
Jul 18 |
Reply |
Hi, Paul!
Something like that?
|
Jul 22nd |
 |
| 31 |
Jul 18 |
Comment |
Hi, Ella!
I agree with Peter that the portrait turned out to be very flat. It is very noticeable that the main object was cut out and placed on a dark background. For me this is not the most successful solution in this case. |
Jul 19th |
| 31 |
Jul 18 |
Comment |
Hi, Paul!
In general, I agree with colleagues. I'm not a fan of absolutely black background. But it turned out well here. There is a feeling that something dragging the heroine into the darkness. And one of the main characters tries to keep the heroine in the light. |
Jul 19th |
| 31 |
Jul 18 |
Comment |
Hi, John!
I agree with colleagues. A long focal length created the effect of reverse perspective and squeezed space into a flat image. An interesting effect was obtained for the street scene. ) |
Jul 19th |
| 31 |
Jul 18 |
Comment |
Hi, Peter!
Good and interesting landscape. I agree that the image is falling to the left. You can correct the perspective distortion and then all the lines will be in right place. But this is all very subjective. |
Jul 19th |
 |
| 31 |
Jul 18 |
Comment |
Hi, Ian!
I like this shot. Looks great in BW. Tonal perspective is well. |
Jul 19th |
| 31 |
Jul 18 |
Reply |
Hi, Ella!
This photo is just about the figure 1. Which interesting way turned out from nowhere in the form of the figure 1. Is it really not visible right away? What other distracting white spots, this is a supermassive number 1. Nothing is going on in this image. ))) |
Jul 17th |
5 comments - 2 replies for Group 31
|
5 comments - 2 replies Total
|
