|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 31 |
Apr 17 |
Reply |
Hi, Ian!
Thanks for your review. |
Apr 20th |
| 31 |
Apr 17 |
Reply |
Hi, Peter!
Thats ok. ) Thanks for your review. |
Apr 20th |
| 31 |
Apr 17 |
Reply |
Hi, Paul!
Thanks for your review.
|
Apr 16th |
| 31 |
Apr 17 |
Comment |
Hi, Ella!
Beautiful still lifes. Want to see the whole series. Very beautiful! Thank you! |
Apr 13th |
| 31 |
Apr 17 |
Comment |
Hi, Paul!
Good overlap. But as for me a little bit controversial crop line on right side of image. I would photograph them whole or along the neck line, not including the forelimbs. |
Apr 13th |
| 31 |
Apr 17 |
Comment |
Hi, John!
I had a deja vu. ))) I like this landscape. Everything looks very balanced. There is a slight feeling that the horizon line is littered to the right, but maybe it's just a feeling. |
Apr 13th |
| 31 |
Apr 17 |
Comment |
Hi, Peter!
Good deep landscape. It will be interesting to look at the entire series of pictures about your expressions about Iceland. It looks like a solid and complete project. ) |
Apr 13th |
| 31 |
Apr 17 |
Comment |
Hi, Ian!
An interesting character and moment of artist performance. I agree with colleagues about the overloaded background with people's feet. The dialogue between the child and the artist was of course important to preserve. Perhaps you have other shots and angles of this situation? |
Apr 13th |
| 31 |
Apr 17 |
Reply |
Hi, Ella!
Thank you for your review.
"The pier cuts the image in half" - this was the key idea of symmetry imbalance. The name of the picture implies that the girl is on the verge. This is the moment of dynamic injection. Before her, a dark massive abyss. At the same time, the rest of the people on the pier seem unburdened. |
Apr 13th |
5 comments - 4 replies for Group 31
|
5 comments - 4 replies Total
|
