|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 38 |
Jun 18 |
Reply |
Thank you Gabriele! |
Jun 23rd |
| 38 |
Jun 18 |
Reply |
Thank you Gerhard! |
Jun 10th |
| 38 |
Jun 18 |
Reply |
Thank you Art for your comments. I am curious why you would flip this photo. The legs going from left to right lead my eyes right into the photo. That doesn't happen when you flip it. |
Jun 10th |
| 38 |
Jun 18 |
Comment |
I like this bicycle photo also. I like the composition and seeing the whole bike with the graffiti on the wall and the fence on the windows. It really tells an interesting story. Black and white is great. A great photo Phyllis.
|
Jun 10th |
| 38 |
Jun 18 |
Comment |
Kerstin, again I have a smile on my face looking at your photo. I don't see the cross-eyes so much but the little "V" on the bottom definitely catches my eye. I love the close up and the sharpness is great. Great job! |
Jun 10th |
| 38 |
Jun 18 |
Comment |
Art, I love this photo. I love the blur, the color, and the soothing calm it gives me. Yes, I think of the old paintings from the past. Nicely done.
|
Jun 10th |
| 38 |
Jun 18 |
Comment |
WOW! Gerhard, what a fantastic capture. How in the world are you always in the right spot at the right time. I want to hang out with you!!! I wouldn't change a thing!
Very well done!
PS ~ If you have time . . . You tell me f8 and here you took this photo at f5.6. Is the reason why the f5.6 works here because the subject is sideways?
And my last little hummingbird was facing me more?
|
Jun 10th |
| 38 |
Jun 18 |
Comment |
Gabriele, it almost sounds like the Harley-Davidson Motorcycle Rally here in the USA. What fun you captured with the crowd. I love your title. I can almost hear the humming of the motors. I do like all the colors but Art has a good idea with the lady in red. I would like to see if you waited a little longer to shoot again so that you were in the middle of the leaving Vespas and them all around you. I like it. Nice done. |
Jun 10th |
5 comments - 3 replies for Group 38
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5 comments - 3 replies Total
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