|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 36 |
May 22 |
Comment |
This is striking, Michael. I am drawn by the varied textures from the smoothness of leading-line pier to the choppiness and waviness of the water to the soft curves of the clouds. The blue chilliness of your wonderful image, however, reminds me why I moved from Green Bay to California. |
May 5th |
1 comment - 0 replies for Group 36
|
| 37 |
May 22 |
Comment |
Do you know what this flower is? Its unusual petals provide a frame for the black wasp on the yellow center. A graphically strong, sharp, striking image. |
May 29th |
| 37 |
May 22 |
Comment |
Peter, I like Ham's crop and Howard's monochrome of your unusual view of the SF skyline. To deal with keystoning, I have recently discovered PS's Perspective tool adjacent to the Crop tool along with YouTube instructions. |
May 28th |
| 37 |
May 22 |
Comment |
Again, welcome, Lee Ann. I like both monochromes and junkyards! I agree with the previous suggestions on reducing the distracting busyness of the grasses with cropping or vignetting, either darker or lighter. I, too, use NIK for monochromes, its several versions of yellowing and sepia for an aged look. I've never tried Howard or TJ's methods, but will explore them myself. |
May 28th |
| 37 |
May 22 |
Comment |
Ham, I see two images here: blue and rust at the top and almost a monochrome tweed suiting fabric below. At first i wanted a more severe crop, eliminating all of the water at the bottom, but decided that the retained bit of the pilings gives the image a needed base. I love your poetic, philosophical descriptions. |
May 28th |
| 37 |
May 22 |
Reply |
Welcome to the group, Lee Ann. Thank you for your good words about my image. Glad you found Rick Hulbert' recording. Looking forward to symmetrical images from you, too. |
May 27th |
4 comments - 1 reply for Group 37
|
5 comments - 1 reply Total
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