|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 56 |
Apr 19 |
Comment |
It is an absolutely beautiful painting as well as a fabulous photograph. I appreciate the amount of work you did to prepare your image. Nice job with the foliage, and perfect crop by placing the man in the upper power point using the Rule of Thirds. |
Apr 15th |
| 56 |
Apr 19 |
Comment |
I am amazed on how you have turned this dull dark image into something so colorful with so much detail that was not clearly visible before. Very nice. It is very saturated but often that is what paintings are.
The white line is a halo from the contrast created when you did the post processing and often happens and is very easy to remove. I just took a clone tool and changed the mode of the tool to darken and then clicked the color next to the white line. It quickly is removed and will not change the mountain or foreground since it is darker. |
Apr 15th |
 |
| 56 |
Apr 19 |
Comment |
I enjoy the line and color detail with its electrical glow impact. It simply shouts at the viewer "look at me". Normally, I like more subdued pieces but this is so colorful and strong in detail and color that it is a visual treat. |
Apr 15th |
| 56 |
Apr 19 |
Reply |
Thank you Pat for your critique of my image. I love your narrative details. Pat, my texture is from Topaz Studio. |
Apr 15th |
| 56 |
Apr 19 |
Comment |
your soft painterly tones really enhance the background wall and the clothing but nicely done on the faces. There is a nice harmony of the analogous colors of yellow, orange, red and their resulting hues. |
Apr 10th |
| 56 |
Apr 19 |
Comment |
your soft painterly tones really enhance the background wall and the clothing but nicely done on the faces. There is a nice harmony of the analogous colors of yellow, orange, red and their resulting hues. |
Apr 10th |
| 56 |
Apr 19 |
Comment |
Thank you Cyril , Gerhard, and Elinor. I think you are right Elinor on the rays. They are just a bit over done. |
Apr 10th |
6 comments - 1 reply for Group 56
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6 comments - 1 reply Total
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