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| Group |
Round |
C/R |
Comment |
Date |
Image |
| 58 |
Feb 22 |
Comment |
I agree with Les, the photographer acts as a leading line to the main story. Perhaps a couple of steps backward and we would have some space between shoulder and frame. You caught a great event with an interesting story that is happening within the story. Wonderful. |
Feb 21st |
| 58 |
Feb 22 |
Comment |
I'm drawn to the cloud in center. Often times your pics are of simplicity leaving interesting dead space and balance for the imagination to study and interpret. They are great. Here I see a basketball player shooting "hoops" and the dead space holding a soft cloud. Was the cloud, the streetlight and the statue intentional? |
Feb 21st |
| 58 |
Feb 22 |
Comment |
Oh no! I doubt alligators can be trained. How she escaped losing an arm and camera is beyond me.
I agree the lighting is flat and even. Probably gray overcast sky and you were able to capture the gator's tough and sharp leathery skin.
|
Feb 16th |
| 58 |
Feb 22 |
Comment |
Striking! The lighting, the lines and the single person, all combined making for a great photo. The image definitely has that wow factor. You even caught a ghostly figure in the window above. |
Feb 15th |
| 58 |
Feb 22 |
Comment |
Thank you for the "setup details" and why camera setting were selected. I agree with Daniel and Gloria, the square with in a square makes a powerful composition. I try to imagine the photo with out post and beside filling an otherwise dead spot I agree the post necessarily adds stability. I would be tempted to a b&w conversion. A lot of forethought, planning and work. Well worth it. A great photo. |
Feb 15th |
5 comments - 0 replies for Group 58
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5 comments - 0 replies Total
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