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| Group |
Round |
C/R |
Comment |
Date |
Image |
| 40 |
Mar 17 |
Comment |
Perfection, Judi.
The only (and this is stretching it) suggestion I would have is to pull a bit more white from the house to make it pop a bit more.
Once again I find myself wishing you would take us all on your next shoot.
As a second, equally interesting image, try cropping out the foreground rocks such that the only visible rocks are on the right side of the image and the bottom of the image is all water (removing the bottom third of the image). different feel altogether.
Love, love, love this shot. |
Mar 10th |
| 40 |
Mar 17 |
Comment |
I love this photo, Jamie.
Perfect enhancements. Your reflection in the dashboard gives a whimsical twist. This would look great as a large canvas print on a wall in a cozy den. |
Mar 10th |
| 40 |
Mar 17 |
Comment |
Great mood here, Bai. Sleepy, safe, quiet, and subdued. What would happen if you cropped the image to remove the left-side bare branches? I think it would be nice to have framing only on the top, bottom and right (but not left) sides in this case. I think the width of the branches competes a bit with the arcs of the bridge. My eye is clearly drawn to the right side of the image, as it is soothing and has great perspective. Removing the left side could allow the eye to rest for a moment on the water, rather than being drawn to the bare branches.
I like the green tint you added. Creates a feel of being at the water's edge of a deep forest.
|
Mar 10th |
| 40 |
Mar 17 |
Comment |
A great study in scale contrast, Henry. I think the Yert and other structures comprise their own interesting image, but may be a bit distracting in this one. I would like to see what the image would look like with just the lone figure and his vast surrounding landscape. Of course you would lose some of the beautiful background in doing this, but there is something striking about a lone person amidst the vastness of the mountains. Having just the man and mountains also will contain the color story in a way that will provide more contrast and feel of dynamic range. Finally, such a crop would allow the figure to escape the middle of the scene and have more "room to move" forward in his journey. |
Mar 10th |
 |
| 40 |
Mar 17 |
Comment |
Spooky, intriguing, industrial, mysterious, and cool, Andrew.
Love it.
The beams of light are majestic.
To contain the eye inside the image, perhaps try a dark vignette around it?
Also, I think you could crop the right-most portion of the image to remove the partial circle shape on the side of the engine. It doesn't add to the story. |
Mar 10th |
5 comments - 0 replies for Group 40
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5 comments - 0 replies Total
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