|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 70 |
Mar 20 |
Comment |
Thank you! |
Mar 18th |
| 70 |
Mar 20 |
Reply |
There is a bit of chromatic aberration in the trunk, which is removed if I activate the chromatic aberration adjustment in light room. The red leaves, I think are not strictly chromatic aberration , but instead are the result of the finite spatial/color resolution in the Bayer filter used by the camera's digitization process. |
Mar 18th |
| 70 |
Mar 20 |
Reply |
Thank you! I had not noticed the object in the bottom corner! |
Mar 18th |
| 70 |
Mar 20 |
Reply |
Thank you for the comments. This particular composition was used to place the boat at the 1/3's position , generally a safe choice for an image emphasizing harmony. |
Mar 14th |
| 70 |
Mar 20 |
Reply |
Thanks for the comments, Wayne. This was taken from an elevated deck which did not afford any more room to my right. From the ground the path out to the boat was not as useful. I chose this particularly composition to place the boat at the 1/3's position in the frame. |
Mar 14th |
| 70 |
Mar 20 |
Comment |
The hike up the canyon was well worth your while to get images such as this one! The meandering stream makes a nice leading line to the distant mountain face, which is amplified by the reflections in the water. Since the mountain in the center is intended to be the feature element, it would be useful to consider alternate vantage points that present it in the clear and without substantial limb just above it - that flat rock in the foreground, e.g. Welcome to DD70! |
Mar 14th |
| 70 |
Mar 20 |
Comment |
This composition takes good advantage of the varying light across the face of this weathered clay or rock formation to present the effects of degrees of contrast. The deeper contrast in the middle section is noteworthy in bringing to life imaginary figures of humans at their work. An abstract of this section would make a neat companion piece. |
Mar 14th |
| 70 |
Mar 20 |
Comment |
Image achieves its purpose to feature the otherworldliness of the aurora effect. I agree with the previous comments - discard the bright watermark. |
Mar 9th |
| 70 |
Mar 20 |
Comment |
The cloud swap is a definite improvement to this idyllic image, contributing significantly to its mood! Rather than the cloud swap, I prefer Pierre's approach to feature the sailing vessels. |
Mar 9th |
| 70 |
Mar 20 |
Comment |
A very eye-catching moment at the Grand Canyon! The grazing angle incident light creates nice highlights along the ridge, and complement the rainbow well! the ridge top and rainbows lead my eye toward the right corner of the image; however, the bright notch in the canyon to the left side also calls out for attention. Although not a fatal competition, you might consider dividing this noteworthy image into two parts. |
Mar 9th |
| 70 |
Mar 20 |
Comment |
The cattails are a fascinating element! I am eager to see more of them. My first impression in viewing this composition is that cattails do not command as much attention as they deserve. The complex tones and patterns in the background woods effectively compete with the cattails. But to me, this image is not about the woods. The opposite tones of the snow and cattails, suggest a black & white composition. The attached image is a suggestion for how you might proceed. To my eye it gets to the nut of what this image is about. |
Mar 9th |
 |
7 comments - 4 replies for Group 70
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7 comments - 4 replies Total
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