|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 54 |
Apr 26 |
Reply |
I personally like the swimming cellos the best. |
Apr 15th |
| 54 |
Apr 26 |
Reply |
Enjoy every aspect of the renovation. It's miraculous that such a mess turns into livable space. |
Apr 15th |
| 54 |
Apr 26 |
Reply |
Enjoy! |
Apr 12th |
| 54 |
Apr 26 |
Comment |
Thank you for your thoughtful feedback of my dreamscape. The restful tones come from Nik Collection's Color Efex Cross Processing tool which I discovered for this composite. I was looking for tones that I don't usually use. Sometimes you have to be lucky. :) |
Apr 11th |
| 54 |
Apr 26 |
Comment |
Art is a mirror. You only see in it what you already have inside of you. This is an adaptation of a line in "The Shadow of the Wind" by Carlos Luis Zafon that I changed to fit art rather than books. I use Zafon's wisdom because for a long time the high school where I was an English teacher added a new wing next to the English office. The construction was a restful break from grading papers. For several weeks, construction equipment "planted" 3-foot-high beams before coming to attach taller, vertical beams to these bases. Once completed, more construction equipment came to lay beams horizontally across the taller beams. I watched as a construction worker crawled across all of the horizontal beams to secure them to the vertical beams. Your composite made me relive the whole construction of beams. I like the way your mind works, and I get the eerie scene, but 3+ weeks of watching construction outside my window is "already inside of [me.]" |
Apr 6th |
| 54 |
Apr 26 |
Comment |
It's April 6 and I'm already too late to add anything meaningful to Brad's and Peggy's comments. Their comments are quite thorough. I agree with Peggy's comment about tonal range. I also like Brad's "Family Portrait" title. It fits what you've done here so well. Nice work. |
Apr 6th |
| 54 |
Apr 26 |
Reply |
Thanks for the advice from your workshop leader. It's good to keep in mind. |
Apr 4th |
| 54 |
Apr 26 |
Reply |
There are a lot of respected photographers that encourage other photographers to break the rules. I break a lot of them myself. However, when I enter competitions in my camera club, I adhere to the judges' bugaboo about the negative effect of bright objects near the edge. You like putting bright figures/objects near the edge so continue doing it. I've been brainwashed. |
Apr 4th |
| 54 |
Apr 26 |
Reply |
I always enjoy words like "exquisitely balanced composition." Thank you for those words and your other positive comments. I do not have a halo effect in my image. Different monitors have different results, I guess. |
Apr 4th |
| 54 |
Apr 26 |
Reply |
Thank you for your feedback. We'll agree to disagree about removing the woman and the hole. |
Apr 4th |
| 54 |
Apr 26 |
Comment |
You couldn't make us seasick last month, so you've upped the ante. That's quite a sturdy little sailboat to be able to survive the tumultuous storm you've created so well. You even have the hint of a tornado to add to the power of Mother Nature. Your colors work so well to create a dangerous situation. One does worry about the people who took that sailboat out. I once saw an oncoming thunderstorm whose clouds were approximately the color green of your clouds. It was quite a storm! Your clouds bring back the memory of that storm. Luckily, I was inside. |
Apr 2nd |
| 54 |
Apr 26 |
Comment |
The strong diagonal of the birds draws the eye to the center of the image where the viewer is rewarded with a dreamy waterfall. I mentioned in my comments last month that the photographers who judge competitions for my camera club really don't like bright objects at the edge of photos. I came across a quote about this situation that serves as an appropriate guideline for photographers: "Breaking rules like composition and lighting allows photographers to discover new perspectives." It's as wise as "less is more." |
Apr 2nd |
5 comments - 7 replies for Group 54
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5 comments - 7 replies Total
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