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| Group |
Round |
C/R |
Comment |
Date |
Image |
| 54 |
Mar 18 |
Reply |
Thank you for your feedback. Observations such as "off-kilter," "disorient," and "not quite symmetric" are the wind beneath my wings. |
Mar 18th |
| 54 |
Mar 18 |
Comment |
Your final product reminds me of the art of Lyonel Feininger, a very famous early 20th century artist whose work is reminiscent of cubism. But he didn't have a computer; he only had paint, a canvas, and imagination. Your imagination and use of colors, angles, and overlapping shapes would make Feininger proud. |
Mar 10th |
 |
| 54 |
Mar 18 |
Comment |
I've always viewed Topaz Glow as unnecessary, but this image contributes to a change of heart. Here, Topaz Glow adds a lot to the feeling of motion from bottom to top. The dark blue sky also helps draw the viewer to the top of the composite. I'm curious to know what effect it would have if the "glow" were removed from the moon (other than changing the title). This is the best application of Topaz Glow I've seen. |
Mar 9th |
| 54 |
Mar 18 |
Comment |
Your composite makes the viewer want to jump into the picture and join the hike. Personally, I'd turn around and head for the rocky coast. I agree with Aavo about the lighting. It's always a dead giveaway when making composites. In addition, because I love rocky coastlines so much, I would leave yours untreated. Few people can look at this image and NOT want to join the hike and pet the dog. |
Mar 9th |
3 comments - 1 reply for Group 54
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3 comments - 1 reply Total
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