|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 21 |
Mar 17 |
Reply |
Thank you for your welcome, as well; and your feedback. I'm still struggling with edges of selections--some are successful, some aren't. But think of the hours of enjoyment I'll have learning how to do it write consistently. As I replied to John, April's entry is less crowded. |
Mar 27th |
| 21 |
Mar 17 |
Reply |
Thank you for your welcome and your feedback. I agree that the image is a little too busy. April's endeavor has fewer images although the windmill makes a return. |
Mar 27th |
| 21 |
Mar 17 |
Reply |
Thank you for your comments. The windmill makes a curtain call in April. I apologize for the obvious tease. The nice thing about digital is that we can save a project for future consideration. |
Mar 26th |
| 21 |
Mar 17 |
Reply |
Consensus seems to be dump the windmill. I reluctantly agree. Currently working on another composite in which windmill makes a re-appearance. |
Mar 21st |
| 21 |
Mar 17 |
Reply |
That's OK. Three is probably as much as anyone wants to see. |
Mar 21st |
| 21 |
Mar 17 |
Reply |
Thank you for your feedback, Joan. I've always been a surrealism fan, Dali in particular. As for a story in the composite, I didn't have one in mind. Hoped it would add to the surreal effect. |
Mar 21st |
| 21 |
Mar 17 |
Reply |
Thank you for your feedback, Brian. I agree that the windmill is a bit too much. I thought it might add a surreal look. I also included the hand to give it a surreal look. I would keep the hand. I look online at tutorials about "photo manipulation" trying to get a grasp of what makes a composite surreal. This is a journey I'm enjoying, and feedback such as yours is valuable. |
Mar 15th |
0 comments - 7 replies for Group 21
|
0 comments - 7 replies Total
|