|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 41 |
Oct 21 |
Reply |
Thanks.
FYI, I did not remove or do any PS, this was an in-camera multiple exposure, so it adjusts for the skin in the face which tones down the leaves.
Later I thought to just take the log alone without the eye, that is the image above |
Oct 22nd |
| 41 |
Oct 21 |
Comment |
what a neat creation! Not sure that you need the lizard, love the golden color and the composite |
Oct 20th |
| 41 |
Oct 21 |
Comment |
great concept and execution! You have taken this into the realm of Conceptual photography quite well! Very though inspiring. I like the stretched pano feel. The transport car is wonderful but clone or dim that one brought headlinght.
I see what and agree with the feet issues Kathy pointed out, but moving the feet to a light block would make him look like he is floating, no ground shadows, so instead darken the bottom of the pants for a similar end result. |
Oct 20th |
| 41 |
Oct 21 |
Comment |
I like the impressionistic feel of this image. What a great place to be outside in, and then to be creative with the scene to morph it into this art piece.
The path is wonderful as it leads our eye through the scene, making you wonder what mushroom was eaten along the way, lol.
perhaps some dodging and burning to make the path lighter and the ground darker to enhance the carefree path through the woods?
|
Oct 20th |
 |
| 41 |
Oct 21 |
Comment |
I love the whimsy of this image as much as I admire the creativity and artistry. Fun!
I love the added clouds and background. The painting effect is well done, but a little tweaking of the brush marks under the left cow's belly. there are brushes that look more like grasses, those few strokes seem out of place with all of the other wonderful detail. |
Oct 20th |
| 41 |
Oct 21 |
Comment |
I love the story and the composite. The center does look like bananas! I like the texture too.
Two possible improvements, (1) remove the OOF leaf [oh I see Kathy's version, yes, better without) and two, more space on the left so the monkey is not so near the edge for the frm,e. |
Oct 20th |
| 41 |
Oct 21 |
Comment |
The knot in the log just looked like an eye, hence it inspired me to do a multiple exposure with a face |
Oct 20th |
 |
| 41 |
Oct 21 |
Reply |
It did look more sinister and creepier with a sharper eye. |
Oct 20th |
| 41 |
Oct 21 |
Reply |
The log was on the ground and it had a hole in it that looked liked an eye to me. So I asked someone if I could take a photo of their face (using multiple exposure) and positioned the camera for her eye to be in the hole. I could see the outline of the eye and face as I was composing it against the log for the second exposure. |
Oct 20th |
| 41 |
Oct 21 |
Reply |
For a multiple exposure this is what I do. I set the camera to take two images. I take the first image (in this case a half of a person's face) and then I see the outline (ghost) of the first image as I am taking the second image. That makes it very easy to line up close the focal length etc.
Sometimes, less than 5% of the time, I choose overlay. I take one image, say a full moon with my 300mm lens and the chose multiple exposure and then overlay and then I can overlay, in camera, any image I have taken. I use this to get a full moon over my subject, like the full moon coming up in the east and then I can position it over the Washington monument in DC.
You can see an example (this example is not mine) of this overlay method here: https://learnandsupport.getolympus.com/learn-center/photography-tips/technique/incorporating-multiple-exposure-into-portraiture |
Oct 19th |
6 comments - 4 replies for Group 41
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6 comments - 4 replies Total
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