|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 56 |
Sep 20 |
Comment |
It's interesting to see your painting in different stages/ background renditions, but the final painting looks so natural and un-painted. It sounds like it took a lot of effort to paint every single spot! Must have been a labor of love. |
Sep 18th |
| 56 |
Sep 20 |
Comment |
It certainly did come to resemble a true watercolor painting, right down to the white paper background. Despite the slight abstract effects, it's easy to discern the subjects as Amish without any need to identify their faces. I like the title, too. |
Sep 18th |
| 56 |
Sep 20 |
Comment |
Nice group shot. The 2 previous commenters pretty much covered all I would have said. I was wondering just how you managed to get the background trees & grass to resemble water reflections (?) |
Sep 18th |
| 56 |
Sep 20 |
Comment |
You located a timely scene. The colors are so perfect for autumn's splendor. I agree the cornrows make great leading lines toward colorful trees. A world of difference from dull colors in the original shot. It sounds like you had fun treating it with several different programs. |
Sep 18th |
| 56 |
Sep 20 |
Comment |
While I don't understand precisely how you got this effect/style, it looks very effective and proves to be a fun way to present portraits, Nancy. How creative! |
Sep 18th |
5 comments - 0 replies for Group 56
|
| 86 |
Sep 20 |
Comment |
These are one of my favorite flowers. I like their off-beat shape, since so many flowers are perfectly symmetrical. Yours seem to glow in the sunlight. You can do a lot with Snapseed. |
Sep 18th |
| 86 |
Sep 20 |
Comment |
That's a great-sounding title, Tom. And you definitely created an attractive kaleidoscope in the flower. |
Sep 18th |
| 86 |
Sep 20 |
Comment |
This is one of your most attractive-looking yard art images, yet, Ruth! The stripes are so nice & sharp. I love how you enhanced the background from the pale original. |
Sep 18th |
| 86 |
Sep 20 |
Comment |
I will have to remember to try Marilyn's suggestion to try PS Express to get reds corrected, as I am annoyed after shooting, say, a beautiful bright red flower only to compare it to a decidedly unexciting off-color shade of red on my iPhone screen. I usually just shrug & give up after a couple more attempts.
You got the sunset to line up so well with the boat that it doesn't bother me having it smack in the middle of the screen. I like the sun's reflection beneath the boat, something that wouldn't happen with other types of boats. |
Sep 18th |
| 86 |
Sep 20 |
Comment |
Apparently, you are feeling all better now, Belinda. I enjoyed seeing where your fancies led you from your starter image to final dazzling waterful production. It's hard to grasp all this creativity in one picture. All I can say is it turned out great. |
Sep 18th |
| 86 |
Sep 20 |
Comment |
I wonder which of the several filters you employed was the one that yielded those interesting color blocks not present in the original shots? The sort of woodcarving effects of the random black squiggles add so much interest also. I really like the results! You sure were creative, combining these subjects to get a whacky image. |
Sep 18th |
| 86 |
Sep 20 |
Reply |
I like your idea of reversing the subjects. Maybe I'll try it. The ghosting you mention is definitely there and made me hesitate to post it. It's just one of those things I haven't mastered yet on a small phone screen with big fingers. Had I done it on the computer in pshop it would have come out better, but I'm forcing myself to learn new tools. |
Sep 18th |
| 86 |
Sep 20 |
Reply |
Thanks for noticing that, Belinda. I think this is the first time I ever decided to work on 2 different images taken at the same place for both group submissions. You get extra points. |
Sep 18th |
6 comments - 2 replies for Group 86
|
11 comments - 2 replies Total
|