Activity for User 448 - Pat Centeno - pixelatedpat@gmail.com

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773 Comments / 106 Replies Posted

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Group Round C/R Comment Date Image
56 Apr 18 Comment It's as though you somehow changed the lighting subtly to add more depth, Jeanine. It looks just great! (By comparison, the attractive sharp original shot now seems so flat.) Apr 15th
56 Apr 18 Comment The subject's pose certainly catches the eye. I'm glad you maintained the reflection on the stage when you added the textures to enhance the painting. The toned-down brightness in the dancer looks a lot more natural than the spotlit original. It seems like the final product is an interesting collage and the upper and lower frames add a good finishing touch, where the silhouetted heads were distracting. Apr 15th
56 Apr 18 Comment Gerhard, I like the lush colors in the water and rocky shore. Also the squiggly brush lines in the sky add a flattering texture to complement the water scenery. (By the way, Gerhard, I'm glad I got to see your wildlife in Africa pictorial series! Great work.) Apr 15th
56 Apr 18 Comment You had a good idea to combine the images before making a painting. I liked the use of Topaz Expressions on the scene, although apparently the family dog no longer looks as doggish after the filter and I guess is what Elinor refers to as the "dark area". You might want to work on his head a little to bring back some detail. I really like the gradient of the cloudless blue sky in both the original shot and the painting. Apr 15th
56 Apr 18 Comment Cyril, I like the swirlyness of the paint and the brighter "O'Keefe" colors in the flowers and elsewhere. I think Gerhard is right about the background (behind the curtain), which competes with the foreground subject. It is begging to be blurred a bit, while the right foreground got washed-out too bright with Topaz Impression. My eye tends to go to the little sign leaning on the vase, which is now blurred-out and illegible. I think you succeeded in getting the desired effect in the flowers, but the filter's effects could be masked away a little if on a separate layer so the rest of the image would not be affected so much. Apr 15th
56 Apr 18 Comment Elinor, I like the final image where faint touches of red have bounced into the dark corners to complement the enlarged cherry. Now that it's well-cropped, there's nothing to pull the eye from the vivid object and the golden background is flattering. Nice and simple and elegant. Apr 15th
56 Apr 18 Reply I hadn't considered obliterating the number, but that's a good suggestion. Thanks. Apr 15th
6 comments - 1 reply for Group 56
6 comments - 1 reply Total

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