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| Group |
Round |
C/R |
Comment |
Date |
Image |
| 25 |
Oct 20 |
Reply |
I wondered about that triangle. It does attract the eye, but I wasn't sure if that was necessarily bad as it kept my eye moving around the frame. I sort of liked it, but then it sort of bothered me. A vignette might help, or even toning down the color of the bridle a bit, or both. |
Oct 22nd |
| 25 |
Oct 20 |
Comment |
I especially like the way the slope of the shore and the trees frame the rock and its partners. And you can almost feel the fog around you softening everything. What really take this to another level for me is the waves coming in to the shore on the lower left, just barely anchoring the scene in reality in the midst of the fog. |
Oct 20th |
| 25 |
Oct 20 |
Comment |
I seem to recall Velvia was known and loved for giving us beautiful scenery with vivid colors we wanted to believe we saw. Sort of like Photoshop can do for us today, only with Velvia it was "straight out of the camera." It's a lovely scene and I especially like the way the shadows tell so much about the shapes on the mountain. |
Oct 20th |
| 25 |
Oct 20 |
Comment |
I like the way your framing not only brings out the locale but also emphasizes the wonderful architecture of the bridge. I think the fact that you were able to capture several groups of people crossing the bridge adds a special note of realism to the scene. |
Oct 20th |
| 25 |
Oct 20 |
Comment |
Amazing reconstruction work. Thanks for the thorough explanation of the techniques you used. Your version reflects what people really "see" when they view this scene. Mural artists deal with clutter like the pipes knowing that the viewer will never actually "notice" them. A photograph cannot do that, but now with careful, faithful manipulation, the mural can be presented as it is intended. I think this should be in the RBG memorial library. |
Oct 20th |
4 comments - 1 reply for Group 25
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4 comments - 1 reply Total
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