|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 40 |
Nov 25 |
Comment |
Thinking about this image again, I think I agree about toning down or cloning out the red on the glove, a red blob bottom right hand corner and the writing on the glove. So the overall colour is blue. |
Nov 20th |
| 40 |
Nov 25 |
Reply |
Thanks for you comments, I will have to think about this. |
Nov 17th |
| 40 |
Nov 25 |
Reply |
No tripod, just lucky to have steady hands. |
Nov 17th |
| 40 |
Nov 25 |
Comment |
I find it difficult to know what is happening with the steam - it really is helpful to have a title. I think I would have liked a wider shot here, I want to see more of what is going on. |
Nov 17th |
| 40 |
Nov 25 |
Comment |
I find it really atmospheric; it just needs straightening and the doors lightening a bit. Perhaps crop in to the second set of doors. |
Nov 17th |
| 40 |
Nov 25 |
Comment |
Great shot. The treatment is fine. I can't add anything |
Nov 17th |
| 40 |
Nov 25 |
Comment |
You've grabbed the golden sunlight and got an impressive shot. The reflections in the water are very nice. I think I agree with the comments about cropping the left hand building out and improving the sky. But well done. |
Nov 17th |
| 40 |
Nov 25 |
Comment |
Welcome to the group. This is a striking picture. My only criticism is that the right hand window frame is out of focus and as this is nearest the camera it detracts. Better to focus on that side perhaps with a smaller f stop. I hope you dont mind but I ran the image through Topaz Sharpen and I think it is better. I agree with the comments about darkening the white vertical reflection. |
Nov 17th |
 |
| 40 |
Nov 25 |
Comment |
Yes nicely seen and well captured. I am ambivalent about the foreground, I think helpful to have something. I took the liberty of saving a copy and playing with it, increasing the exposure by a stop and toning down the rocks a bit. Then running it though Topaz sharpen. What do you think? |
Nov 17th |
 |
7 comments - 2 replies for Group 40
|
7 comments - 2 replies Total
|