|
Group |
Round |
C/R |
Comment |
Date |
Image |
18 |
Dec 20 |
Comment |
A wonderful image with your blending of the various layers exhibiting great skill, so those lessons you have been taking are certainly paying off. I would choose to just reveal a little more detail in the face by removing some of the texture.
I notice you had a good crop od acceptances in the Lake Mcquarie Circuit - well done. |
Dec 11th |
18 |
Dec 20 |
Comment |
Your adaption of the bright original into this mixture of mono and colour works well. You have chosen just enough colour and positioned it well. |
Dec 11th |
18 |
Dec 20 |
Comment |
The composition works fine with birds and moon filling space around the tree. Might I suggest you return to the park and shoot the tree when it has lost it's leaves. As we see it here the detail I would like to see is blocked up but them I'm a sucker for skeleton trees. Are there signs of a grubby sensor? |
Dec 11th |
18 |
Dec 20 |
Comment |
This is striking in it's simplicity and the flower is perfectly placed and lit. |
Dec 11th |
18 |
Dec 20 |
Comment |
Very seasonal shot and your use of Topaz works well.
Spotted a few of your images amongst the Lake Mcquarie catalogues which I viewed this morning. Well done |
Dec 11th |
18 |
Dec 20 |
Reply |
My aspirations are not set as high as the Tate!! Salon acceptances would be gratifying.
You are right about there being lots more potential for variations. As I have more shots of other sections of the doors so you may see some alternative images in the future. |
Dec 3rd |
5 comments - 1 reply for Group 18
|
20 |
Dec 20 |
Comment |
What an amazing glass tree. You have skilfully cropped and the result is great and to my eye could pass as plastic drinking straws. |
Dec 1st |
1 comment - 0 replies for Group 20
|
6 comments - 1 reply Total
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