|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 4 |
Aug 17 |
Comment |
Isaac may be Dr. Flip however Bill is Mr. Crop. As most of you have stated Bills crop created a stronger image for me. Its all good, may we all be able to spend many more years with Study Group 4 together. |
Aug 12th |
| 4 |
Aug 17 |
Reply |
Thank you all for your kind remarks and suggestions. This Study group has been a pleasure to participate in for the last 10 yrs. and you all are the reason its been so successful.
|
Aug 9th |
| 4 |
Aug 17 |
Comment |
A portrait, well done Ian. You have handled the entire canvas well. My only suggestion would be to clean up the blemishes on her forehead. I agree with Bill, I am only interested in "no ink" ladies. |
Aug 9th |
| 4 |
Aug 17 |
Comment |
You captured a beautiful late afternoon sky Bill. Good color, sharp and the bank provides a strong leading line. I agree with Isaac, the sky deserves 3/4th of your canvas. |
Aug 9th |
| 4 |
Aug 17 |
Comment |
I like the camera position that you used for this image Guy. This rendering is sharp and offers good color. The invert adjustment layer made the image a little stronger in my opinion. |
Aug 9th |
| 4 |
Aug 17 |
Comment |
A colorful Sunset Bill, a good use of the rule of thirds. All the subjects are properly placed on your canvas and your rendering is sharp. I agree with your concept of this image. Any crop would create another image. Did you try shadows to open up some definition in the rock? |
Aug 9th |
| 4 |
Aug 17 |
Comment |
Another good Nature shot Isaac. The subjects are properly placed in your frame. In my opinion the backlighting adds to the strength of this image. Good color and sharpness. |
Aug 9th |
| 4 |
Aug 17 |
Comment |
I like the positions as they pier through the bakery window with anticipation. Your entry tells a good story, the image is colorful and sharp. Having a good photographic eye will always keep you in the game Joe. I agree with the crop that Isaac made. |
Aug 9th |
7 comments - 1 reply for Group 4
|
7 comments - 1 reply Total
|