|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 33 |
May 19 |
Reply |
Oh my, Larry, you have just started a civil war in the UK, Cornwall has just declared war on Wales for pinching one of their biggest tourist attractions. hehe.
Mevagissey is on the South coast of Cornwall about 6 miles west of Looe and 10 miles east of Falmouth and is a must visit if you ever come to Cornwall. Great pasties. |
May 26th |
| 33 |
May 19 |
Comment |
Sorry one step to the left would have done a twenty foot drop into the harbour. Think the camera would not have liked. |
May 20th |
| 33 |
May 19 |
Comment |
This has impact and I am waiting for someone like mad max to come steaming out from the bad lands. The tones and textures are spot on for this dramatic scene. Well done. |
May 20th |
| 33 |
May 19 |
Comment |
Just beautiful, wish this was mine or that I was there. Yes you could crop the right but either works. One of those special moments when a landscape photographer should take as many pictures as possible. |
May 20th |
| 33 |
May 19 |
Comment |
Over here we see a programme called American Pickers where they go to all these places picking and I thinking that I would love to go in with a camera. For me the IR effect does not work on the large image as the over exposed parts draw to much from the image, but I do like Bob crop that leave more to the imagination of the viewer. |
May 20th |
| 33 |
May 19 |
Comment |
This does have a nice early morning mood, all I can think when I look at this, "I don't what to live in that house in a storm." Your long exposure adds to the mood well. Hope you took a few images. |
May 20th |
| 33 |
May 19 |
Comment |
You don't say what lens you were using, but setting it at F20 would be pushing the lens to its outer limits, where you would have got just as good results if not better shooting at F11, when taking these kind of images think of what you are trying to take, which is the head of land and its shape, including that large hump of land in front of you acts as a block to the flow of the image. Moving to the right would have made from a more pleasing shape. Just small things to think of next time. |
May 20th |
6 comments - 1 reply for Group 33
|
| 39 |
May 19 |
Comment |
You have found a pleasing scene, with a good steps and a nice array of lights, the lady is nicely placed in the frame. I do find the image a touch busy and the bright sky spoils the picture.
I have done a slight crop for the image and tidy the right side. |
May 20th |
 |
| 39 |
May 19 |
Comment |
This need to be in the Tate Modern, I have a saying that I work to, "a great picture is a picture that makes you stop and look" Well this is a great picture.
Fabulist tones lines and textures and is fantastic to sit a stare at. In a way I prefer the colour version as I think it holds more depth.
That did look an amazing photoshop, can you feel the jealousy. |
May 20th |
| 39 |
May 19 |
Comment |
This is would be a power shot of light line and shadow as it has impact from a distance and that lighting from the right is outstanding. But you cannot get away from the main subject being so weak. Oh if that was pin sharp this image would pop. |
May 20th |
| 39 |
May 19 |
Comment |
These are my kind of shots, they do so well in monochrome. You have some nice cloud for mood and atmosphere and the stacks are nicely rendered. But for me they just don't come across with the power that I would expect from and image like this. They seem a touch flat. |
May 20th |
| 39 |
May 19 |
Comment |
You have captured a lovely mood with the very cold feeling coming over well. We have not had these conditions over here for a while. I must admit that I am not a fan of the barn behind the trees, I do think it would be more classic and open with the barn not there. I would also remove the last twig on the right. But good feeling. |
May 20th |
5 comments - 0 replies for Group 39
|
11 comments - 1 reply Total
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