|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 50 |
Apr 26 |
Comment |
Cindy, another great floral image!
How close can you get to the flowers? If you can get close you could experiment with a fast 40mm or 50mm lens to focus on the bloom an separate it from the background. If you have a macro lens, these are great subjects for it, again you'll get separation from the background, and a 100mm Macro will give you some reach. |
Apr 10th |
| 50 |
Apr 26 |
Comment |
Ger, hello, this is great contemplative scene, well captured and converted to B&W. I tried a tighter crop and a gradient in the sky to make the moon more prominent. Well seen, well captured! |
Apr 10th |
 |
| 50 |
Apr 26 |
Comment |
Lorna, lovely image, the 90 degree rotation places the area of greatest interest in better position in the frame. The tonal range of the original image results in an ethereal midtone image when converted into B&W. |
Apr 10th |
| 50 |
Apr 26 |
Comment |
Hello James, it takes courage to approach strangers to ask to photograph them. I think the do look like a couple, with the man checking to see that his partner is camera ready.
This is a great image but I would suggest two adjustments in composition: lower the camera so you capture the lady's folded hands (you'd have an implied triangle: her eyes looking at him, his eyes looking down towards her folded hands, and strips leading back up to her face), second crop in a little towards her left shoulder. |
Apr 10th |
 |
| 50 |
Apr 26 |
Comment |
Paul, hello, I also love architecture, and architectural photography. What focal length (35mm equivalent) did you use? Capturing a vertical architectural subject while controlling keystoning can be challenging; you've done quit well here.
There does appear to be a dust spot to the right of the base of the dome. I made a version where I increased the contrast, darkened the sky, and darkened the shadows for dramatic effect. |
Apr 10th |
 |
5 comments - 0 replies for Group 50
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5 comments - 0 replies Total
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