|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 86 |
Apr 22 |
Reply |
Yes, I go back-and-forth on the BW. Iime it,, but there's something about the color-- maybe it's subconsciously about adhering to the integrity of the tiles. Just can't say exactly why the color seems to win. |
Apr 23rd |
| 86 |
Apr 22 |
Reply |
Thank you, Ruth, I'm happy you like this! It's strange, but you know me by now Lol |
Apr 23rd |
| 86 |
Apr 22 |
Reply |
Thanks, Gene! Correcting the perspective is going to be tricky, but I'm working on it. In Snapseed I use the free form perspective tool. It's just fiddly. I'll try increasing the contrast for the BW, too. |
Apr 23rd |
| 86 |
Apr 22 |
Reply |
Thank you, Jack! I'll just work on both of them LoL |
Apr 10th |
| 86 |
Apr 22 |
Comment |
You turned the not-so-ordinary facade into something extra-ordinary! Very creative! Brilliant colors and effects throughout. Slight sharpening might be preferable to you, but I like it as is. If you need to sharpen, you can do that with your in-phone edit app. You might already know that, but in the beginning when working across multiple apps, it took me time to figure it out. Just transfer ("share" works for me) the image from the creative app back to where you store photos on the phone and go from there. |
Apr 9th |
| 86 |
Apr 22 |
Comment |
It's a very impressive sculpture and your shot draws alot of curiosity about what it is. The HDR creates an ominous sky and the scene becomes, for me, somewhat surreal. I like it very much, especially in BW. It also lends itself to a surreal abstract with some adjustments-- close crop, removing the tower, the car reflection, etc. In one shot, I think you have the benefit of more than one choice! Nice! |
Apr 9th |
| 86 |
Apr 22 |
Comment |
It's a wonderful photo and lends itself to a beautiful abstract. Honestly, I would leave it as is. |
Apr 9th |
| 86 |
Apr 22 |
Comment |
What a fun project! I have a few bunnies from years ago (maybe too many). You created a lovely holiday still life. I like everything about it. I agree with Bob to crop slightly, and I would reduce the brightness. Happy Easter Ruth! |
Apr 9th |
| 86 |
Apr 22 |
Comment |
A great shot, Gene! I can't be sure because I'm viewing the image on an old device, but the orig. looks better to me. The light is very nice with the distant darkness. For the final image, there are so many wonderful textures I would punch it up to make it pop. A slight HDR look and color saturation is all I think is needed. I agree that a small crop of sky would make a stronger image. Had to be a wonderful trip! |
Apr 9th |
| 86 |
Apr 22 |
Reply |
Thanks for your comments, LuAnn! The spacing around the faces to right and left need to be adjusted, as well as a couple of other spots I see. I use Snapseed, and will use the free form Perspective Tool. The frame needs to be removed first and then the adjustments. You might like the app too. It is free and has tutorials attached. I hope you
continue enjoying taking phone photos and will join our group or another group that's available. It's fun! |
Apr 8th |
| 86 |
Apr 22 |
Reply |
Thanks so much, Bob! I appreciate your observations and the choice of BW. I like the BW but it seems that I need to do something more to it but not too much, to offer more depth. I just can't figure it, but I am not experienced at all with BW images. |
Apr 8th |
| 86 |
Apr 22 |
Reply |
Lol, Kieu-Hanh, on figuring out Mirror Lab! However it was created,
I have to say hats off to them! Thank you, and I believe the spacing you mention might be corrected with little more work (using the free form perspective tool). I will work on it! |
Apr 8th |
| 86 |
Apr 22 |
Comment |
That is a great abstract! I like everything about it and really don't see how it could possibly be improved. BW is perfect for it. At a distance it's not immediately recognizable as 'furniture' which I like. The angles chosen are nice either leading lines. You need to look and look again to figure out what it really is. Very nice! |
Apr 8th |
6 comments - 7 replies for Group 86
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6 comments - 7 replies Total
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