|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 7 |
Mar 25 |
Reply |
Thanks Hoshedar - I'm really enjoying the new toy! :) |
Mar 25th |
| 7 |
Mar 25 |
Reply |
:) I'm loving the high(ish) iso possibilities- just soooo useful! Will take a while to get my head around some of it - but really enjoy the sharpness. |
Mar 25th |
| 7 |
Mar 25 |
Comment |
Clever! Very nice, clean image. Good colours and great reflection really making the image stand out. One very minor, picky thing though - I would look at removing that dark line which goes from her left eye towards the hairline. I don't think it is makeup as it is only on one side, and it bothers me just a little. But love it otherwsie! |
Mar 20th |
| 7 |
Mar 25 |
Comment |
I love what Tom has done by removing that large, empty 'stand' and bringing the sunset nearer. Very nice! :)
|
Mar 20th |
| 7 |
Mar 25 |
Comment |
Love the atmosphere here. I think the background triangle on the right echoes the one on which the bird is perched. I would remove those 2 small triangles to the left, though, as they are rather harsh and angular compared to the rest of the image. I would also consider removing that whole darker 'stripe' on the left and leave the area 'clean' on that side. But lovely shot. |
Mar 20th |
| 7 |
Mar 25 |
Comment |
An interesting shot of arches within arches. Nice even lighting. What more is there to say? Great capture. |
Mar 20th |
| 7 |
Mar 25 |
Reply |
Will definitely post if I get anything good out of them! :) |
Mar 15th |
| 7 |
Mar 25 |
Reply |
I like that reversal! Nice idea. Not sure it'll ever be a winner but it was an interesting exercise and thanks for suggestion. You may also be right about removing the base. I will mull!:) |
Mar 15th |
| 7 |
Mar 25 |
Reply |
Hi - yes, not as dramatic as I'd hoped I must admit. But above all playing with new toy.... Peppers are now very wrinkly - I wonder what they'd look like redone... We shall see. I might just try! Thanks for comment. |
Mar 15th |
4 comments - 5 replies for Group 7
|
4 comments - 5 replies Total
|
