|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 17 |
Apr 20 |
Reply |
Being a "senior citizen," I am allowed to shop as early as 6AM. So, most of the items needed were still on the shelves. Should I pick you up some iceberg or romaine?? |
Apr 11th |
| 17 |
Apr 20 |
Reply |
Sheldon, here is a potential solution to your tp concern. I have been posting Daily Chuckles with one-liners like this. . . |
Apr 11th |
 |
| 17 |
Apr 20 |
Comment |
I will be passing on giving my commentary here. I have noticed that you have not commented for the past few months while we have taken the time to address your imagery. This PSA arrangement has to work both ways. |
Apr 9th |
| 17 |
Apr 20 |
Comment |
Really colorful, I hope you were able to share this image with him! The over the shoulder look back is not a normal portrait pose but it did work here. The details are spot on (I wouldn't expect anything less from a Glenn Rudd image). I will echo what my Group 17 colleagues mentioned already! |
Apr 9th |
| 17 |
Apr 20 |
Comment |
Sheldon, this image has it all. The well formed flowers and the cactus; the detail in both of the aforementioned areas; color; and that black background which really pops the arrangement.
I wish I was more "focused" on things to do while staying in. I certainly have a few photo projects that could be worked on! |
Apr 9th |
| 17 |
Apr 20 |
Comment |
Certainly creative. It's a toss-up for me as to your blue or Bev's black background. I do like how the colors grow from the couple and create an interesting pattern beside them. I did a similar effect on a horse race many years ago. In. my image i was trying to show speed. . . |
Apr 9th |
 |
| 17 |
Apr 20 |
Comment |
For me, it was less about the white building than the foreground flowers. The sloping hills with those shadows are the story of the Palouse. I felt the floral foreground took away from that serenity. My tweak was more like a pano. I also pumped up the contrast a tad. |
Apr 9th |
 |
| 17 |
Apr 20 |
Comment |
I'm in agreement with the others as to opening up those shadows. I did a simple tweak in NIK and managed to lighten up the engineer and some of the train and brushed in the changes so as not to open up other areas. The old train certainly lends itself to B&W. |
Apr 9th |
 |
| 17 |
Apr 20 |
Reply |
THX, Dick. It came out looking more like 3-D when I finished. I liked the look in the rocks, especially. |
Apr 7th |
6 comments - 3 replies for Group 17
|
| 80 |
Apr 20 |
Comment |
Bev, just checking in here. Lots of great suggestions from your Group 80 Photographers. I think you have a great leading line (s) with that crosswalk. However those people off to the side became more of a distraction leading in - so I removed them in L4. I do think the saturation in St. Basil's could be brought back a bit - this is what happens when we resurrect images from our film/slide days. The sky is a hue improvement over the originals. Finally, I cropped in from the bottom to make St. Basil's more prominent, take away some of the bright white crosswalk, and eliminate the building on the right. |
Apr 14th |
 |
1 comment - 0 replies for Group 80
|
7 comments - 3 replies Total
|
