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| Group |
Round |
C/R |
Comment |
Date |
Image |
| 17 |
Jun 18 |
Comment |
Congrats, Glenn on your image that was included in the PSA Gallery. I believe we had a snake preview of it a while back. |
Jun 17th |
| 17 |
Jun 18 |
Comment |
Loving it all, Glenn! The silky water flow in the foreground made a great leading line into the lodge. The detail within the lodge is amazing. You didn't sacrifice detail in the foreground for what's happening in the background or vice versa.
I hope you sent this along to the lodge for a wall hanger in their lobby. |
Jun 13th |
| 17 |
Jun 18 |
Comment |
Good eye, Ursula! You were able to make a very pleasing image considering you were probably unable to take your time to compose the shot as you normally would (group travel can dictate our pace). The lack of a tripod did not hamper the end results. Good symmetry throughout with good detail to support it. I, too, would like to have seen some space below that door window.
Looking forward to see more from this trip. |
Jun 13th |
| 17 |
Jun 18 |
Comment |
Overdo it, Sheldon? Nah! Mother Nature gave you a few lemons for your composition and you made them into a pleasing glass of lemonade! I have been there in August and appreciate seeing your take of it in February. February has its advantages. I like the depth within the geyser's flow. Perhaps a tad more on the contrast and eliminate a little off the right. |
Jun 13th |
| 17 |
Jun 18 |
Comment |
Thanks all - it appears to be unanimous - the second light is a distraction. Have to admit I never saw it until it was mentioned here.
Here is a quick modification to eliminate it |
Jun 13th |
 |
| 17 |
Jun 18 |
Comment |
Peter, you captured the moment many of us have experienced. The moment when an uncooperative child is just beyond the grasp of a caring parent/adult. I agree with the others on the B&W decision - I figured it was due to the color version as more of a distraction. Your conversion helped me to focus more on the interaction of the main subjects and not on other details that might appear. I did not notice the truck name as it's color nears disappears on the back of the truck. The little tyke has certainly laid claim to that wrench (thanks for the translation to British).
Well, Sheldon. I'm sure the spanners are securely locked away and safer items will be within reach. Always good to have a few items for a bribe when common sense does not work! |
Jun 12th |
| 17 |
Jun 18 |
Comment |
Dick, I like the impact the golden water has on the flamingo - helps to pop it off the screen! I am not seeing the enhanced saturation on the bird. The light sections on the backside are a minor distraction for my eyes. Also, the top of the frame is a near merge with the back of the flamingo.
Has anyone else noticed the near extinction of the pink plastic flamingos? It's been a while since I have seen them in these parts. Hopefully, it's just a matter of migration and they will be back. I do remember a city in Massachusetts as being the producer of these lawn icons! |
Jun 12th |
| 17 |
Jun 18 |
Comment |
John, I am in agreement with the others on the simplicity of the composition. The bike and the window play off each other well. The thatched roof kept my eye in the frame. You are right on those rocks - their tonality did not become a distraction.
I saw a similar setting of a bike leaning against a plain wall (no window) in the Montmartre section of Paris. |
Jun 12th |
8 comments - 0 replies for Group 17
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8 comments - 0 replies Total
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