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| Group |
Round |
C/R |
Comment |
Date |
Image |
| 32 |
Mar 26 |
Comment |
Ed, thanks for the comment - as I see it the trick with low key (or indeed hi key) images, is not to loose the edges of the subject.
I have brightened the subject selectively a wee bit. I think if I push it further, it will stop looking natural.
My thoughts.
I take your point, maybe the answer is to create a light path coming in from the top left, which would justify brightening the eagle more. Let me try.
Regards
Som
|
Mar 10th |
| 32 |
Mar 26 |
Comment |
The image conveys a good story, and the sepia goes well, with the faded look evoking a feeling of times past. Scanned from film I presume? |
Mar 8th |
| 32 |
Mar 26 |
Comment |
Old vehicles and structures usually look better in mono, as does this one. Did you do any detail shots?
|
Mar 8th |
| 32 |
Mar 26 |
Comment |
The Square crop works well, and mono allows separation of her from the sticks, in the colour she is almost merging into the background, mainly because her top is a similar colour and darkness to the sticks. |
Mar 8th |
| 32 |
Mar 26 |
Comment |
Nice Shot Diana, as it stands I think I would have left the natural colours, To me mono conversion is not adding anything here. If the Lynx was waiting, and if opportunity permitted, I would have moved arround to see if I could get a shot without the trees in the background. Snow and animals make for lovely high key images, when the background is clean. Posting an example to convey what I mean. |
Mar 8th |
 |
| 32 |
Mar 26 |
Comment |
Thank You Stephen
|
Mar 8th |
6 comments - 0 replies for Group 32
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6 comments - 0 replies Total
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