|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 58 |
May 25 |
Reply |
Thanks for the comment, Bruce. No need to apologize. I'm working on getting my comments done earlier in the month, but... The intention is there; sometimes the execution is wanting. |
May 30th |
| 58 |
May 25 |
Comment |
Ed-- When I first saw this image I thought the guy was picking himself up after a fall; I guess the bike on the ground gave me that idea. The figure is interesting to me because of his unusual attitude. We don't often see a subject doubled over like this, and the position of his arms and legs are the interest instead of his face. Thanks for showing us something unconventional! |
May 16th |
| 58 |
May 25 |
Comment |
Bruce--I have to be honest and say I prefer the image with the door. The door provides additional details and breaks up the severe symmetry. The people contribute life to the scene and contrast with the lifeless effigy of the statue.The architecture is beautiful and conveys the idea of Rome very well. I like the sepia tone. |
May 16th |
| 58 |
May 25 |
Comment |
Pinaki--I think you could have titled this, "Party Girls". The fact that bars in Bourbon Street have such windows makes me laugh; it creates wonderful opportunities for photographers. The four figures tell the story: the pair dressed in black and white are serious about their drinks; and the blurred figure outside the window suggests the transitory nature of good times. The smiling face in the center, tinted an unnatural color by the bar's "fantasy" lighting, is the main interest. Perhaps she is serving the drinks and chatting with the customers. The scene is set by the neon in the window and the colorful decorations behind the figures. A very nice capture of a moment in an iconic location. |
May 16th |
| 58 |
May 25 |
Comment |
Bev--The image's somewhat "destressed" appearance fits well with the ancient location. I looked up Safed since I am not familiar with it and learned about its long history. The group of figures with their heads together convey mentorship, learning, passing knowledge on to the next generation. To my eye, this is a lovely image. |
May 16th |
| 58 |
May 25 |
Comment |
Isaac--The colorfulness and activity of the many people in the scene is very engaging. The three children with the balls are dynamic and provide the main interest. It seems to me that cropping a little tighter to focus more on the three children might be useful. Here Cuba looks clean, sunny and appealing but I bet there is more to the story. |
May 16th |
| 58 |
May 25 |
Reply |
Pinaki-- I re-read your comment several times because it is so thoughtfully and beautifully expressed. I am honored you made such a thorough examination of my image and brought out such interesting points. Thank you. I agree that the image is somewhat washed out; I would certainly tweak the contrast if I were going to use it for anything else. |
May 15th |
| 58 |
May 25 |
Reply |
Thanks, Ed. Your version looks nice: nice contrast and the face looks good. I see now that my version is too washed out. |
May 15th |
| 58 |
May 25 |
Reply |
Thanks, Isaac. I agree; straightening did eliminate a lot of the surrounding area, for better or worse. I was interested in having it straight, so that decision determined the tight crop. I like what you've done with the subtle color and more of the street for context. |
May 15th |
5 comments - 4 replies for Group 58
|
| 99 |
May 25 |
Comment |
Jurgen--Welcome to the group! I will admit that my first impression was "too dark", but I understand that you were interested in the silhouettes so now it makes sense to me. The two interesting figures, one tall and one short (parent and child?) located in the brightest area draw the eye immediately. They seem to be entering the light while the remaining figures are more obscure. These wonderful arcades have many photographic possibilities. |
May 24th |
| 99 |
May 25 |
Comment |
Mark--This image raises many questions in my mind: the setting seems odd; why is there a swing in this desolate grafitti-covered place? If it were in fact a child on the swing instead of a pot-smoking adult, that would be even odder. The cityscape in the distance seems surreal, like the Emerald City appearing to Dorothy. I agree with Peter regarding the slightly too-bright grafitti. An interesting and thought-provoking image. |
May 24th |
| 99 |
May 25 |
Comment |
Robin--This is a very nice abstract using the shapes and texture of the wooden chair back. I agree with Jurgen about the other shapes in the background distracting rather than contributing. Having said that, I really like the image's tonal range and, as you say, "shape and form"; the subject is elevated and is no longer just a chair. |
May 24th |
| 99 |
May 25 |
Comment |
Peter--Good for you for being willing to step out of line a bit with this image. I have to be honest and say it does not work for me but I applaud your effort at experimentation. My feeling is similar to Jurgen and Robin. |
May 24th |
| 99 |
May 25 |
Comment |
Maude--A strange and wonderful image! The high contrast works beautifully to show the interesting texture of the mud, which in turn contrasts with the smooth hands. The eyes being closed is important; it would be a completely different story if they were open. I like what you've done and I wouldn't change a thing. |
May 24th |
| 99 |
May 25 |
Comment |
Barbara--I love your flower studies and this is another lovely example. I agree with Robin that sharpness is sometimes over-emphasized. This image has sort of a dreamy quality that works well in sepia, but I love the colors in the color version as well. Beautiful. |
May 24th |
| 99 |
May 25 |
Reply |
Thank you, Peter. I like the wall also, so I appreciate that you accept it as part of the narrative. Perhaps it suggests the brutalism of modern life? Thanks for the nice comment. |
May 17th |
| 99 |
May 25 |
Reply |
Thank you, Robin. I like your image: the various elements are intriguing, such as the fact that only three shoes are visible; the dog seems to be looking at the walking figure; the texture of the paint on the drainpipe. Thanks for the interesting feedback. |
May 17th |
| 99 |
May 25 |
Reply |
Thank you, Maude. I appreciate your mention of the texture of the the concrete wall, which I also like for the reasons you mention. It tells its own story, with the small holes (drainage?), and the damaged area near the bottom (something heavy hit it?), in addition to air bubbles and stains. You point out the wall's duality which is a very interesting observation. Thanks for the nice comment. |
May 17th |
| 99 |
May 25 |
Reply |
Thanks, Mark. As you point out, curiosity about the book and wanting to look around the corner is the story of the image. |
May 17th |
| 99 |
May 25 |
Reply |
Thank you, Barbara. |
May 17th |
| 99 |
May 25 |
Reply |
Thank you, Jurgen. I, also, am curious to know what the book is. Perhaps he is a student. I appreciate your comment. |
May 17th |
6 comments - 6 replies for Group 99
|
11 comments - 10 replies Total
|
