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| Group |
Round |
C/R |
Comment |
Date |
Image |
| 14 |
Jul 22 |
Comment |
This is a very interesting and well captured vessel. I agree with Darcy that you might find a b/w conversion adds more drama. Since the original has so much water around the vessel, I also might try a composition with the vessel in the lower right had corner heading towards the middle and upper left. If it was mine, I would also try a composition zoomed in closely on vessel so that details of the fishermen and the vessel become the whole story. It's a fascinating vessel for someone like myself who will never see such a thing in person. thanks!
|
Jul 13th |
| 14 |
Jul 22 |
Comment |
Your editing of this image is excellent and I especially like how you've toned the rock pillars behind the model and increased their texture. Although the streams of light going down the upper structure might be considered distracting, I think they do the job of leading the viewers eye back to the model as does the diagonal strip of light almost connecting with his labtop. I think the play of light and dark and the angles of the background structure add a lot to the composition and makes this a very strong image. |
Jul 13th |
| 14 |
Jul 22 |
Comment |
This is a very interesting and well composed image. I think that the twilight timing was an important choice and makes the image much more dynamic than it would have been in the complete dark. I love the circle of light on the ground around the lamp post and it contrasts nicely with the many leading lines in the composition. The color transitions also add a lot to the story. You've done an excellent job! |
Jul 13th |
| 14 |
Jul 22 |
Comment |
I'm jealous too. That's a wonderful location. I agree with Tom's comments and feel that you've done a great job of editing this image, but I find it a bit too saturated as well. The striped texture of the rocks might even show more clearly it the saturation was reduced a tad. Thanks for sharing this! |
Jul 13th |
| 14 |
Jul 22 |
Comment |
No tripod - just a very fast speed, which I always use as a default when there's enough light and I'm hand holding the camera. |
Jul 13th |
| 14 |
Jul 22 |
Reply |
Thanks - I've implemented all of Tom's suggestions. |
Jul 13th |
| 14 |
Jul 22 |
Comment |
I can almost feel the chilly breeze being generated by the tumbling water and the roaring sound of the water roiling down over the rocks. You have done an excellent job of capturimg the power of this scene, and I agree with Tom that your exposure length was well chosen. I understand why you have a question about whether to leave the trunk of the right or to crop it out. I think it may be important to define the edge of the stream and to reassure the viewer that you are standing on solid ground to make the image! Wish we could have gone to Glacier at the end of our Montana stay. Thanks for giving me a taste. Ingrid |
Jul 9th |
| 14 |
Jul 22 |
Comment |
This is a great image, Karen. I love the viewpoint you selected, below normal eyesight level. Having the front vehicle in sharp focus really draws in my eye to begin the journey down the lineup. Did you take any photos standing more to the front of the cars, showing more of the the headon view, because I suspect that would be an interesting viewpoint as well. Did you have to miss dessert? Thanks for sharing. Ingrid |
Jul 9th |
| 14 |
Jul 22 |
Reply |
Thanks, Tom! I didn't even notice the car - yikes. Thanks for pointing it out and it will be removed promptly! That's an interesting idea of rotating the image. I'll try it on for size. Thanks, again. Ingrid |
Jul 9th |
7 comments - 2 replies for Group 14
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7 comments - 2 replies Total
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