|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 19 |
Mar 26 |
Reply |
I thought it might have been elsewhere because not so many countries have that sort of bike with cargo area. It is a great picture. |
Mar 16th |
| 19 |
Mar 26 |
Comment |
Congratulations on your Showcase image. It was really good! Taken at just the right moment of the passing cyclist. Which city is it or is it a montage? |
Mar 16th |
1 comment - 1 reply for Group 19
|
| 23 |
Mar 26 |
Comment |
Congratulations on your Showcase image. I have so many images of escalators! Have you been to Stockholm metro line and seen the painted stations and their escalators? I liked the sense of perspective n your shot.
Diana group 32 |
Mar 16th |
1 comment - 0 replies for Group 23
|
| 32 |
Mar 26 |
Reply |
Not sure I was thinking of a complete crop of the bank behind it, but are you then losing the environment of abandonment? |
Mar 19th |
 |
| 32 |
Mar 26 |
Comment |
This works really well! The light sepia plus the white vignette absolutely suits this. My only suggestion -could you lighten the faces of the driver and his mate just a touch? |
Mar 18th |
| 32 |
Mar 26 |
Comment |
I found the background busy even with the huge notice removed. was it possible to stand so the car was diagonally across the picture? I liked the car but it still gets lost against the the background. Is there too much earth behind as well? When I cropped right down to just above the car it made me concentrate on the vehicle. |
Mar 18th |
| 32 |
Mar 26 |
Comment |
I like the colour version more than the mono, and I wondered whether that was because the glasses are too much the same shades of grey. The stripy ones near the bottom could be emphasised so they draw the eye and give a better focal point. You've always liked pattern pictures! |
Mar 18th |
| 32 |
Mar 26 |
Comment |
This is so dramatic! I agree with the others that the wing tips fade too much into the blackness. Somehow you need to lighten them a little so they can be seen. Without a keyline this gives a great feeling of space around the bird. It stands out on its own but could also be used as part of a montage image where you needed a bird threatening something at the bottom. |
Mar 18th |
| 32 |
Mar 26 |
Comment |
You've managed to bring back the light in the mono image so it works better than the colour, but except as a record of your wife at the structure, I'm not sure it is interesting enough to other people! The sticks are so dominant in the background that they overpower the image. Your wife also looks as if she has a stick in her mouth? |
Mar 18th |
| 32 |
Mar 26 |
Reply |
Yes I'm not sure why they disappeared so completely from my mono conversion. i was probably concentrating too much on the snow in the foreground and forget to check the sky. It is better not to have the empty space at the top. |
Mar 18th |
| 32 |
Mar 26 |
Reply |
I looked up the data It was on a Canon camera, 150mm lens, ISO 200 F6.3 1/320 sec |
Mar 18th |
| 32 |
Mar 26 |
Reply |
Yes I've done something similar with an arctic fox and it was easy because it was against snow with no trees, but this lynx wasn't going to move! |
Mar 17th |
5 comments - 4 replies for Group 32
|
7 comments - 5 replies Total
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