|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 76 |
Sep 24 |
Reply |
Gordon....Thank you for the explanation on how the scene was set up. |
Sep 22nd |
| 76 |
Sep 24 |
Comment |
Question, Gordon: How did you make the white part of the curtain so dark...Do you select the white part and filled it in with black? What input do you have when you photograph a subject in the studio (such as lights, poses, etc.)? Love this image. Great tones, separation, contrast in this image. Not only do you have to think how you want to pose the subject but also give thoughts as what steps you are going to take in post-processing as to how you want to render this image. I feel that you maximized the potential out of this image. Well done Gordon. |
Sep 21st |
| 76 |
Sep 24 |
Comment |
Simplicity in an image draws the viewer directly into the image and focuses their eye directly on the subject matter. You have conveyed this very well with the image of the cherry tomatoes. From the curve of the tomatoes to the color of the tomatoes and water droplets this image has it all. Well done Jay...a very nice image. What I want to know is why couldn't you get out of your backyard....were you too busy eating all the tomatoes? |
Sep 21st |
| 76 |
Sep 24 |
Comment |
Glad that you mentioned the use of a drone, Sanford. Thought for a moment that you got up the mountainside on the back of a sheep to get this picture. An interesting view of the Icelandic landscape and sheep. I've seen images of ice caves, ice on the beach and waterfalls of Iceland but never anything like this image of the landscape. Do you have any idea how hight the sheep were up the mountainside (approximately)? The sheep probably went high up the hillside to get a better view is my thought. Too bad someone isn't able to put a go pro camera on their back to record a day in their travels up the mountainside. Lucky you to have capture this image. |
Sep 21st |
| 76 |
Sep 24 |
Comment |
The placement of the red barn is in the perfect spot as the green covered grass/roadway winds around the structures and leads the viewer into and around the image and back around again. The bend in the corn row also leads the eye right toward the structures and meets the green curve grasses near the structures. Your vision of how you wanted the final results to show what you envisioned when taking the pictures shows a lot of thought that went into the process. Great sky. A simple but beautiful image. Well done, Trey. |
Sep 21st |
| 76 |
Sep 24 |
Reply |
Thanks Ian for your comments and suggestions on texturing...never thought of taking textured images at different exposures & out of focus. |
Sep 18th |
| 76 |
Sep 24 |
Reply |
Hi Gordon, Thank you so much for the information on textures. In the past I have taken pictures of textures of rust, walls, etc., but never happy with the results after applying them onto an image. In answer to your question, I had never thought of creating my own textures using the steps you mentioned. My camera club doesn't allow textures unless they are your own thus I can't enter the image above into club competition. I shall see if there is a workshop that teaches how to make your own textures and will also do research on the internet. I really appreciate your comments as well as the information you provided on textures. |
Sep 17th |
| 76 |
Sep 24 |
Comment |
The curving lines of the boats' wake mimic the curve's of white structures on the building. The curving lines of the wake keep the viewer's eyes in the image and around the harbour. Nice viewpoint of Sydney Harbour. Nice processing,sharpening
and cropping. A really nice image, Ian. Not a deal breaker but I would probably eliminate in the very back of the image the two tiny vessels. Looks like you're making good use of your retirement taking beautiful images. |
Sep 15th |
5 comments - 3 replies for Group 76
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5 comments - 3 replies Total
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