|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 27 |
Dec 23 |
Reply |
The whole point of his costume was to look different and the us of the vey bright blue contact lenses was the key, darkening them to make them more realistic would destroy his intensions.
|
Dec 21st |
| 27 |
Dec 23 |
Comment |
To me this is a super 'blue hour' image, with the first rays of the early morning light coming in from the left to just start to illuminate some of the distant peaks, but importantly creating modelling on the dunes in the foreground. The inclusion of the 3 figures helps to give a sense of scale to the image. I think I would have reduced the amount of sky in the frame down to just above the top of the white clouds. |
Dec 15th |
| 27 |
Dec 23 |
Comment |
To me this is a pleasant autumnal scene, with the 2 figures creating a point of interest as well as giving some scale to the picture. I wonder if we need all that sky above the tree. |
Dec 11th |
| 27 |
Dec 23 |
Comment |
To me this is an image that we need to have some context for, other than just saying that it was from the apartheid era. The face is a piece of art work , which needs to have a story attached to it - was he imprisoned behind that barred windows at some time? |
Dec 11th |
| 27 |
Dec 23 |
Comment |
To me this is a good record shot of one of the UK's main political buildings. I like the fact that there is no harsh lighting on the face of the building as the sun is setting in the far distance. You were fortunate to have that good sky. |
Dec 11th |
4 comments - 1 reply for Group 27
|
4 comments - 1 reply Total
|