|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 14 |
Jun 22 |
Comment |
Thanks Darcy, looks like the consensus is to brighten the forground. Thank you for the comments |
Jun 14th |
| 14 |
Jun 22 |
Reply |
Hi Karen, thanks very much for those comments and yes consensus is I do need to address the foreground again thanks for the input. |
Jun 12th |
| 14 |
Jun 22 |
Reply |
Hi Ingrid thanks for those comments and it looks like the consensus is that the foreground does need to be addressed thanks for the input. |
Jun 12th |
| 14 |
Jun 22 |
Reply |
Hi Greg thank you for those comments, appreciated |
Jun 12th |
| 14 |
Jun 22 |
Comment |
Hi Greg nice image and lovely pose. Your cropping and processing of the background work well however I agree with the others that the ankle showing should be addressed. Choice to either crop that out or perhaps even copy and paste it out with a bit more of the jeans from the upper area might work, keeping the balance of the crop. Might I also suggest a tight around vignette the face and upper torso just to slightly increase illuminance to draw more attention to that area, worth an experiment. Nice image thanks for sharing |
Jun 12th |
| 14 |
Jun 22 |
Comment |
Hi Xiao, lovely image with the editing working extremely well.
The framing of the model works well with the highlight background accentuating the model's face and hair extremely well. Your colour palette works well with the handbag tone matching the shadow toning. The models pose definitely portrays her walking toward you and I'm not and I don't mind the fact that she is not looking straight at the camera I think this gives it more a sense of a natural feel.
My only suggestion would be the handbag blue is just a bit too vibrant for my liking, perhaps toning that down would give a bit better balance to the image.
Overall a love image a lovely image well executed congratulations. |
Jun 12th |
| 14 |
Jun 22 |
Comment |
Hi Kamal, very nice idea and presented well.
I like Gregory's comment about changing the lower left-hand corner image to direct people more towards the centre. I have thought about your layout with the empty spaces at the top between the images in conclusion I think it works well giving breathing space between the images.
The only thing I find a bit distracting is the second image top row from the left not matching the tonal range of all the other images. Perhaps a selection and working on the tonal range of the carriage itself would work. For your consideration nice image overall. |
Jun 12th |
| 14 |
Jun 22 |
Comment |
Hi Ingrid very nice landscape image, while the monolith definitely stands out, for me it is the capture of the vista of the mountains in the background blending in with the sky. It is definitely an image in three parts with plenty of texture in the foreground and the background portrayed as it would look. My only suggestion for your consideration is the foreground flatland is a bit non-de perhaps a slight crop of this leaving a small amount to give the depth, for your consideration. Nice image I do like it. |
Jun 12th |
| 14 |
Jun 22 |
Comment |
Hi Karen nice image and congratulations for having the patience to wait for the parents to accept you as not a threat. The image definitely portrays the wary parent on guard and observing the surroundings with a sense of the river stream in the background giving a sense of the environment. While seen and captured. |
Jun 12th |
| 14 |
Jun 22 |
Comment |
Hi Darcy I like this image, the leading and converging lines taking you to the center of the image with enough information to make you wonder what is down there. The subtle play of colour I think is appropriate and for my eye lends to the chill in the air affect with the effect of the foreground falling snow give a sense of time. The only suggestion I may have and again is extremely minor is perhaps try put of texture into the mid-ground of the center snow. Again extremely minor my view. Overall a great image which betrays the sense of the day. |
Jun 12th |
7 comments - 3 replies for Group 14
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7 comments - 3 replies Total
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