|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 5 |
Jun 20 |
Comment |
Nick Thank you. Guess I did not put my glasses on when I typed in the information. It was Witta Priester from Group 77 in May 2020 and Guy Davies from Group 4 in May 2020. Sorry |
Jun 13th |
| 5 |
Jun 20 |
Reply |
Oliver Thank you! |
Jun 12th |
| 5 |
Jun 20 |
Reply |
Beverly Thank you. It can be fun. |
Jun 12th |
| 5 |
Jun 20 |
Reply |
Barbara Thank you |
Jun 6th |
| 5 |
Jun 20 |
Reply |
Mark Thank you |
Jun 6th |
| 5 |
Jun 20 |
Comment |
Beautiful, creative image. Love you handling of the complementary colors and mood. Looks like it should be in the introduction to a James Bond movie. |
Jun 4th |
| 5 |
Jun 20 |
Comment |
Luscious, rich color with creative handling of the fork and syrup. Makes me wish for this on a hot summer day. |
Jun 4th |
| 5 |
Jun 20 |
Comment |
The image has impact for me with a creative technique and coloring that adds mood. The appearance makes me wonder who has been down this path before and in certain movies the spirits that are still there |
Jun 4th |
| 5 |
Jun 20 |
Reply |
Stephen Thank you |
Jun 4th |
| 5 |
Jun 20 |
Reply |
Richard. Thanks. I combined image techniques from two images presented in Digital Dialogue for May 2020. They were done by Guy Davies and another by Willa Priester. I added modifications in Topaz and truthfully I think sometimes I wander a little when processing but that is part of the fun in "cooking". |
Jun 4th |
4 comments - 6 replies for Group 5
|
| 39 |
Jun 20 |
Comment |
Enjoyed seeing this image very much. It reminds me of the images of Steiglitz or the French Impressionist paintings of the Paris station. What do you think of slight cropping on the right and the light above the cab is not on the color version. It competes a little to me. |
Jun 4th |
1 comment - 0 replies for Group 39
|
| 48 |
Jun 20 |
Comment |
Beverly Nice shot and use of Luminar. Love night images with the stars included. Congratulations!! |
Jun 12th |
1 comment - 0 replies for Group 48
|
6 comments - 6 replies Total
|