|
Group |
Round |
C/R |
Comment |
Date |
Image |
11 |
Mar 19 |
Reply |
Your photo has us all engaged. I think Jim's suggestion of reducing detail in the building really focuses viewers' attention on the woman, strengthening this portrait. |
Mar 26th |
11 |
Mar 19 |
Reply |
Thanks for your input. I see those phone lines every day so my brain has learned to ignore them, like familiar background noise, and I didn't notice them in this photo. Easy to remove when I decide on my final print. |
Mar 19th |
11 |
Mar 19 |
Reply |
"Too perfect" would have been more accurate than "not real." |
Mar 18th |
11 |
Mar 19 |
Comment |
For this scene I think the color treatment works better than monochrome to separate and define the geyser, sky, and land. |
Mar 18th |
11 |
Mar 19 |
Comment |
Too bad the water wheel is missing, my photoshop skill is not up to the challenge of adding one. The detail you bring out shows every brick, plank, beam, and bolt - a tribute to the hand labor that constructed this historic factory. |
Mar 18th |
11 |
Mar 19 |
Comment |
A simple, softly lit, and powerful portrait. One suggestion: her hands are lost in the background of the dress. Lightening them and and adding some Clarity and Contrast add to the image of a long, hard life. |
Mar 18th |
 |
11 |
Mar 19 |
Comment |
My first reaction to this beautiful phots was "Is that real?" The flaw that bothers Lisa showed me that it is. |
Mar 18th |
11 |
Mar 19 |
Comment |
Good exposure settings for depth of field and river blur. Flat light diminishes detail, With Lightroom I brushed some Contrast and Clarity boosts into the background peaks. |
Mar 18th |
 |
5 comments - 3 replies for Group 11
|
5 comments - 3 replies Total
|