|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 87 |
Dec 24 |
Reply |
Thanks to all for the help! |
Dec 11th |
| 87 |
Dec 24 |
Reply |
Steven, thank you for your help in improving this image. See my response to Lance and my revision of the image. |
Dec 11th |
| 87 |
Dec 24 |
Reply |
Will, thank you for your help with this image. See my response to Lance and my new revision. |
Dec 11th |
| 87 |
Dec 24 |
Reply |
Lance, I have given serious consideration of all the suggestions I have received and have arrived at this new version of the image, Thanks to all who stepped up to help. |
Dec 11th |
 |
| 87 |
Dec 24 |
Reply |
I am glad that it helps. Thanks |
Dec 8th |
| 87 |
Dec 24 |
Comment |
Thank, Lance. I will go back to the image and do some more work on it. |
Dec 8th |
| 87 |
Dec 24 |
Reply |
Thank you for your observation. |
Dec 8th |
| 87 |
Dec 24 |
Reply |
Will, thank you. I won't upload another revision but have already begun to go back and remove some of the texture advancement.
This is what DD Groups were designed for: learning from each other.
If this image ever receives some sort of award, I will need to share it with you and Steven. |
Dec 8th |
| 87 |
Dec 24 |
Reply |
Steven, thank you. After reading your comments I took another look at my image and decided that you are right. I have reduced the intensity of the darker areas to reveal more of the wall on the left side. |
Dec 6th |
 |
| 87 |
Dec 24 |
Comment |
Jennifer, what a wonderful image! I picture myself in a bass boat just outside of the frame. I make a soft cast of my lure right up against the base of that tree and make a slow retrieval while waiting for that large bass to envelope the lure into its mouth.
It is the trunk of the tree as it enters into the water that interests me most. Well done. |
Dec 6th |
| 87 |
Dec 24 |
Comment |
Cindy, you are presenting another very fine image. I understand your desire to show as much of the bridge as possible, but it is also clear to me that the large group of flowers is your main subject. If this is correct, I feel that your best use of space would be to give the subject more of the space and take space away from the bridge. The bridge is useful in showing the environment where the main subject resides, but that can be done while still giving the subject more space on the canvas. I suggest the following crop. |
Dec 6th |
 |
| 87 |
Dec 24 |
Comment |
Will, what a very creative image. You past on the "tourist snapshot" of an often-photographed landmark and searched for a more creative angle. The conversion to monochrome is well done. I consider this to be a very strong image. |
Dec 6th |
| 87 |
Dec 24 |
Comment |
Dale, this image does appeal to me. I also like the color original that draws my eyes to the path and leaves of the large tree due to the relative brightness to their color.
My feeling is that the opposite is true in the monochrome image. the path is darker than the surroundings and so the eye is led away from the path and to the lighter areas. Let me suggest the possibility of changing where the eye goes first through some tone sculpturing (burning and dodging). |
Dec 6th |
 |
| 87 |
Dec 24 |
Comment |
Steven, congratulations on a very nice, well-done composite image. You have taken two nice but nothing special images and combined them in such a way to create a very impactful image. I also detect some nice tone improvements.
Thank you. |
Dec 6th |
| 87 |
Dec 24 |
Comment |
Lance, your images are often surprisingly simple. This one causes me to want to do some study of Japanese aesthetics.
I would really like to see this as one of a larger series built upon the same theme.
Question: Is the egg shape of the moon due to the phase of the moon at the time, or is this a somewhat long exposure? |
Dec 6th |
| 87 |
Dec 24 |
Reply |
Thank you for your comment. This helps me to know if I am on the right track. |
Dec 4th |
7 comments - 9 replies for Group 87
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7 comments - 9 replies Total
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