|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 8 |
Aug 21 |
Comment |
Interesting attempt. The trick with this technique is to make it appear deliberate. I don't know about you, but I've taken too many images with accidental camera shake for me to be able to truly appreciate this. But you have one ingredient right here, namely the juxtaposition of complementary colors. You could also try rotating your camera about the lens. Keep experimenting. |
Aug 23rd |
| 8 |
Aug 21 |
Comment |
The reflection of the ship makes a nice leading line into the image, terminating at the white superstructure, which in turn is nicely framed between the Lift Bridge and its reflection. The bird in the water is an added plus. B&W conversion was a good choice here. |
Aug 23rd |
| 8 |
Aug 21 |
Comment |
Any reason for cropping the sides? I have to agree with Alastair's comment. But now I'm hungry! |
Aug 23rd |
| 8 |
Aug 21 |
Comment |
A deceptively simple composition, but when one looks closer there are lots of subtle nuances. I think the colour enhances the image, and the ripples give an almost impressionist feel to it. |
Aug 23rd |
| 8 |
Aug 21 |
Reply |
Wow! Thanks for that. |
Aug 11th |
| 8 |
Aug 21 |
Reply |
You lost me there! I don't see a bull. Perhaps it is a Rorschach test? |
Aug 9th |
| 8 |
Aug 21 |
Reply |
Interesting question. Is there a "should" in photography? I have known photographers who paint ON photographs, and I have often created paintings based on photographs.
P.S.: This debate was actually quite intense a century ago, when photographers such as Steichen, Stieglitz and Weston were trying to establish photography as an independent art form (and not just a craft), distinct from painting. |
Aug 2nd |
4 comments - 3 replies for Group 8
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4 comments - 3 replies Total
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