|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 45 |
Jun 22 |
Comment |
Sometimes the low angle light on a scene is just what is needed. It's a lovely scene: the dilapidated barn and the tilted wood shed. I like how you included the tops of the trees and the sky is full of nice clouds. I like everything about the image! |
Jun 11th |
| 45 |
Jun 22 |
Comment |
I was amazed at how much you were able to bring out of the scene. Your original capture looks so dark. But you were able to bring out more interest in the sky and some interest in the castle structure and the cannon. Well done! |
Jun 11th |
| 45 |
Jun 22 |
Comment |
Love the composition with the wide angle lens view from the blue-bells in the foreground all the way to the trees in the background. I don't mind the sky at the top of the image. Nice exposure with beautiful green leaves and blue flowers! Awesome! |
Jun 11th |
| 45 |
Jun 22 |
Comment |
I would agree that you need to straighten the image. But I would also include the red chair by cropping more on the left ( take out the black pole, I know it's tricky because the front of the harpsichord might get cut off, also) and include all of the red chair. Very interesting and the scene does tell a story! |
Jun 11th |
| 45 |
Jun 22 |
Comment |
You really did capture the action with the fast shutter and high ISO. It's not so easy to do. Well done! But I think I prefer being able to see the action but also see either the bird just before he finds his prey or after so that we can see his eyes and the fish in his beak! |
Jun 11th |
| 45 |
Jun 22 |
Comment |
I can see why this Great Lake Park has been selected as a most beautiful park. The graceful lines of the bridge are very pleasing to the eye. I like that you captured the image at twilight so that you could have the lights on and reflected in the water. Well done! I agree that the Polaroid Transfer in Color Efex Pro gives the scene a hazy look and I would also prefer natural look. |
Jun 11th |
6 comments - 0 replies for Group 45
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6 comments - 0 replies Total
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