|
| Group |
Round |
C/R |
Comment |
Date |
Image |
| 82 |
Oct 21 |
Comment |
Agree that with the stays and halyards still there this is not very "abstract". I will remove them for what will be the next iteration of this image. Thank you |
Oct 15th |
| 82 |
Oct 21 |
Comment |
I agree. "slamming" you was in poor taste. Observations, comments, and thoughts that might add to the image are worthwhile, but this is a very great image and don't let anyone tell you otherwise |
Oct 8th |
| 82 |
Oct 21 |
Comment |
Thank you Keith
|
Oct 8th |
| 82 |
Oct 21 |
Comment |
The two lines run to the top of the mast (they are "stays" in sailing jargon), but easily cloned out. I like that idea. |
Oct 8th |
| 82 |
Oct 21 |
Comment |
A classic shot. Great power. Lovely. My software allows me to put in some clouds in the background. That might add a bit more drama...especially clouds that are both white and grey. |
Oct 8th |
| 82 |
Oct 21 |
Comment |
Gregory
What a "statement" of the wide open spaces and beauty of the west. Like Laurie, I was quickly drawn to the red rocks, but the much lighter foreground stopped me first. Of the three horizontals, the foreground seems over large. What if you trimmed it at the bottom and just a tad of a trim of the sky. What I am suggesting is a way to make the three have more equal impact/increase the visibility of the middle layer. Just a thought. From a train! WOW. I can hardly hand-hold on steady ground. |
Oct 8th |
| 82 |
Oct 21 |
Reply |
Very understandable response. I took several abstract photography courses with the goal of learning about shapes, balance, visual design. Maybe it helped. I, too, am a people oriented photographer, but from time to time the old training pops up. |
Oct 6th |
| 82 |
Oct 21 |
Reply |
Small changes that I think will elevate this very fine picture to a "higher" level. Great shot. |
Oct 6th |
| 82 |
Oct 21 |
Comment |
I like this image a lot. Very mesmerizing . Three suggestions. (1) clone out or crop out the white areas at the upper edge of the image - never good to have light spots on the edge of an image; (2) clone out the two small rocks at the edge lower edge of the image, (they are on the edge of the image and actually seem to "block" the visual flow up the stream to the back) and 4 up the saturation a tad (or use the Haze removal choice in your software) to punch the colors up a bit. |
Oct 5th |
7 comments - 2 replies for Group 82
|
7 comments - 2 replies Total
|
